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| 5.061 Ft
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| 1. | Bud's Open
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| 2. | I Think You Know
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| 3. | You Won't Hear Me Say Goodbye
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| 4. | Here's Looking at You
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| 5. | Haunted Heart
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| 6. | Ruth's Waltz
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| 7. | I Never Told You
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| 8. | Hello My Lovely
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| 9. | Blues for Leroy
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| 10. | Living Without You
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| 11. | Monday
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| 12. | 52nd Street
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| 13. | La Luna Negra
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Jazz / Jazz Instrument, Piano Jazz
Anna Tooth Photography
Charlie Haden Performer
Dirk Sommer Liner Notes
Jimmy Hoyson Assistant
Julian Vereker Mastering
Ken Christianson Engineer
Mike Melvoin Producer
Mike Melvoin is a renowned session musician, which is one meaning implied in giving the title The Capitol Sessions to one of his rare recordings under his own name. Another is that the album, on which Melvoin plays acoustic piano accompanied by acoustic bass player Charlie Haden and, on three cuts, singer Bill Henderson, is more of a session that happens to have been recorded and put on disc than a tightly organized collection of music. That's perhaps appropriate, not only because this is jazz, but also because Melvoin has spent his career coming up with things at the spur of the moment. Certainly, he sounds assured here, revealing a flowing style full of ideas he has no trouble executing. He is a traditional player who takes melody as his basis for working out variations. The use of only two instruments, with Haden's bass supporting most of the time, allows space for those variations to flower, making this an immediately enjoyable listen. Of course, at more than 72 minutes, it's a lot of piano playing, and Melvoin is wise to bring in his long-time partner Bill Henderson for three vocals spaced out along the way. Henderson's voice is reminiscent of Joe Williams in his higher register, and he works well with his accompanists. Occasionally, the pace picks up, notably on the bopish "52nd Street" near the end of the disc, but for the most part this is a low-key effort that demonstrates the quiet brilliance of a player who has rarely put himself in the forefront and does so here in a suitably introspective manner. ~ William Ruhlmann, All Music Guide
Mike Melvoin
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: May 10, 1937 in Oshkosh, WI
Genre: Jazz
Styles: Big Band, Cool, Swing, Post-Bop, Hard Bop, Jazz Instrument, Piano Jazz
Because he is based in Los Angeles and has worked extensively in the studios, pianist Mike Melvoin has not yet gained the fame that he deserves for his impressive technique and strong jazz improvising talents. He began playing piano when he was three but graduated from Dartmouth in 1959 with a degree in English. However, Melvoin soon chose to become a professional musician. He moved to Los Angeles in 1961 and worked with many top West Coast players and performers including Frank Rosolino, Leroy Vinnegar, Gerald Wilson, Paul Horn, Terry Gibbs, Joe Williams, Peggy Lee and many others. Although busy in the studios, Melvoin recorded for Concord in the mid-'70s (with Herb Ellis and Plas Johnson), has worked occasionally in L.A. area clubs and often teams up with singer Bill Henderson. Melvoin led two albums for Liberty in 1966 and one for Discwasher in 1979.
---Scott Yanow, All Music Guide |
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