  |
|
|
 |
| Muskrat Ramble / Ory's Creole Trombone |
| Kid Ory |
német
első megjelenés éve: 2004
113 perc |
|
| (2010)
[ DIGIPACK ]
|
|
2 x CD |
| 3.726 Ft
|
|
| 1. CD tartalma: |
| 1. | Ory's Creole Trombone
|
| 2. | Gut Bucket Blues
|
| 3. | Come Back Sweet Papa
|
| 4. | Georgia Grind
|
| 5. | Oriental Strut
|
| 6. | Muskrat Ramble
|
| 7. | Snag It
|
| 8. | 29th And Dearborn
|
| 9. | Too Bad
|
| 10. | Sugar Foot Stomp
|
| 11. | Wa Wa Wa
|
| 12. | Dropping Shucks
|
| 13. | Who's It
|
| 14. | The King Of The Zulus
|
| 15. | Big Fat Ma And Skinny Pa
|
| 16. | Sweet Little Papa
|
| 17. | Gatemouth
|
| 18. | Papa Dip
|
| |
| 2. CD tartalma: |
| 1. | Flat Foot
|
| 2. | Mad Dog
|
| 3. | Dead Man Blues
|
| 4. | Black Bottom Stomp
|
| 5. | The Chant
|
| 6. | Doctor Jazz
|
| 7. | Jazz Lips
|
| 8. | Grandpa's Spells
|
| 9. | Original Jelly-Roll Blues
|
| 10. | Cannon Ball Blues
|
| 11. | Showboat Shuffle
|
| 12. | Put &
|
| 13. | Ory's Creole Trombone
|
| 14. | The Last Time
|
| 15. | Struttin' With Some Barbecue
|
| 16. | Got No Blues
|
| 17. | Once In A While
|
| 18. | I'm Not Rough
|
| 19. | Hotter Than That
|
Jazz
CD 1: Muskrat Ramble - 52:52 min.
Ory's Creole Trombone
Los Angeles, June 1922
Mutt Carey (cn), Kid Ory (tb), Dink Johnson (cl), Fred Washington (p), Ed Garland (b), Ben Borders (d)
Gut Bucket Blues
Chicago, November 12, 1925
Louis Armstrong And His Hot Five: Louis Armstrong (cn)(vcl), Kid Ory (tb), Johnny Dodds (cl), Lil Armstrong (p)(vcl), Johnny St. Cyr (bjo)
Come Back Sweet Papa
Chicago, February 22, 1926
Same
Georgia Grind
Oriental Strut
Muskrat Ramble
Chicago, February 26, 1926
Same
Snag It
Chicago, March 11, 1926
King Oliver, Louis Armstrong (cn), Kid Ory (tb), Albert Nicholas, Bill Paige (cl)(ss)(as), Barney Bigard (cl)(ss)(ts), Luis Russell (p), Bud Scott (bjo), Bert Cobb (tu), Paul Barbarin (d), Richard M. Jones (vcl)
Sugar Foot Stomp
Wa Wa Wa
Chicago, May 29, 1926
Same
29th And Dearborn
Chicago, March 10, 1926
George Mitchell (cn), Kid Ory (tb), Albert Nicholas (cl)(ss)(as), Barney Bigard (ts), Luis Russell (p), Johnny St. Cyr (bjo)
Too Bad
Chicago, March 11, 1926
King Oliver, Bob Shoffner (cn), Kid Ory (tb), Albert Nicholas, Billy Paige (cl)(ss)(as), Barney Bigard (cl)(ss)(ts), Luis Russell (p), Bert Cobb (bb), Paul Barbarin (d), Richard M. Jones (speech)
Dropping Shucks
Who's It
Chicago, June 16, 1926
Louis Armstrong And His Hot Five: Louis Armstrong (cn)(vcl), Kid Ory (tb), Johnny Dodds (cl), Lil Armstrong (p), Johnny St. Cyr (bjo)
The King Of The Zulus
Big Fat Ma And Skinny Pa
Sweet Little Papa
Chicago, June 23, 1926
Same
Gatemouth
Papa Dip
Chicago, July 13, 1926
George Mitchell (cn), Kid Ory (tb), Johnny Dodds (cl), Joe Clark (as), Lil Armstrong (p), Johnny St. Cyr (bjo)
CD 2: Ory’s Creole Trombone - 59:45 min.
Flat Foot
Mad Dog
Chicago, July 14, 1926
George Mitchell (cn), Kid Ory (tb), Johnny Dodds (cl), Joe Clark (as), Lil Armstrong (p), Johnny St. Cyr (bjo)
Dead Man Blues
Chicago, September 21, 1926
Same, Barney Bigard, Darnell Howard (cl)
Black Bottom Stomp
The Chant
Chicago, September 15, 1926
George Mitchell (cn), Kid Ory (tb), Omer Simeon (cl), Jelly Roll Morton (p), Johnny St. Cyr (bjo), John Lindsay (b), Andrew Hilaire (d)
Doctor Jazz
Grandpa's Spells
Original Jelly-Roll Blues
Cannon Ball Blues
Chicago, December 16, 1926
Same, except St. Cyr (g) added
Jazz Lips
Chicago, November 16, 1926
Louis Armstrong And His Hot Five: Louis Armstrong (cn)(vcl), Kid Ory (tb), Johnny Dodds (cl), Lil Armstrong (p), Johnny St. Cyr (bjo)
Showboat Shuffle
Chicago, April 22, 1927
King Oliver, Tick Gray (cn), Kid Ory (tb), Omer Simeon (cl)(ss)(as), Paul Barnes (cl)(as), Barney Bigard (cl)(ts), Luis Russell (p), Junie Cobb (bjo), Lawson Buford (tu), Paul Barbarin (d)
Put 'Em Down Blues
Ory’s Creole Trombone
Chicago, September 2, 1927
Louis Armstrong And His Hot Five: Louis Armstrong (cn)(vcl), Kid Ory (tb), Johnny Dodds (cl), Lil Armstrong (p), Johnny St. Cyr (bjo)
The Last Time
Chicago, September 6, 1927
Same
Struttin' With Some Barbecue
Got No Blues
Chicago, December 9, 1927
Same
Once In A While
I’m Not Rough
Chicago, December 10, 1927
Same
Hotter Than That
Chicago, December 13, 1927
Louis Armstrong And His Hot Five: Louis Armstrong (cn)(vcl), Kid Ory (tb), Johnny Dodds (cl), Lil Armstrong (p), Johnny St. Cyr (bjo), Lonnie Johnson (g)
Buchformat 2 CD + 20 page booklet
In the beginning of his career Kid Ory tried the banjo and the cornet, but soon he changed to the trombone. It was not long before he was one of the most formative New Orleans jazzer. From 1912 to 1919 he lead the most popular band in the whole city. Kid Ory, who played the typical 'tailgate trombone' performed periodically with top-class musicians like King Oliver, Louis Armstrong and Jelly Roll Morton.
Kid Ory
Active Decades: '10s, '20s, '30s, '40s, '50s, '60s and '70s
Born: Dec 25, 1886 in LaPlace, LA
Died: Jan 23, 1973 in Honolulu, HI
Genre: Jazz
Styles: Dixieland, New Orleans Jazz, Jazz Instrument, Trombone Jazz
Kid Ory was one of the great New Orleans pioneers, an early trombonist who virtually defined the "tailgate" style (using his horn to play rhythmic bass lines in the front line behind the trumpet and clarinet) and who was fortunate enough to last through the lean years so he could make a major comeback in the mid-'40s. Originally a banjoist, Ory soon switched to trombone and by 1911 was leading a popular band in New Orleans. Among his trumpeters during the next eight years were Mutt Carey, King Oliver and a young Louis Armstrong and his clarinetists included Johnny Dodds, Sidney Bechet, and Jimmie Noone. In 1919, Ory moved to California and in 1922 (possibly 1921) recorded the first two titles by a Black New Orleans jazz band ("Ory's Creole Trombone" and "Society Blues") under the band title of Spike's Seven Pods of Pepper Orchestra. In 1925 he moved to Chicago, played regularly with King Oliver, and recorded many classic sides with Oliver, Louis Armstrong (in his Hot Five and Seven), and Jelly Roll Morton, among others.
The definitive New Orleans trombonist of the 1920s, Ory (whose "Muskrat Ramble" became a standard) was mostly out of music after 1930, running a chicken ranch with his brother. However in 1942 he was persuaded to return, and after a stint with Barney Bigard's group, he formed his own band. Ory's group was featured on Orson Welles' radio show in 1944 and the publicity made it possible for the band to catch on. The New Orleans revival was in full swing and Ory (whose group included trumpeter Mutt Carey and clarinetists Omer Simeon or Darnell Howard) was still in prime form. He appeared in the 1946 film New Orleans (and later on in The Benny Goodman Story) and worked steadily in Los Angeles. After Mutt Carey departed in 1948, Ory used Teddy Buckner, Marty Marsala, Alvin Alcorn (the perfect musician for his group), and Red Allen on trumpets and his Dixieland bands always boasted high musicianship (even with the leader's purposely primitive style) and a consistent level of excitement. They recorded regularly (most notably for Good Time Jazz) up to 1960 by which time Ory (already 73) was cutting back on his activities. He retired altogether in 1966, moving to Hawaii.
--- Scott Yanow, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
