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| Ory's Creole Trombone - Original Recordings 1922-1944 |
| Kid Ory |
angol
első megjelenés éve: 1995
76 perc |
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| (2009)
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CD |
| 4.100 Ft
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| 1. | Ory's Creole Trombone
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| 2. | Society Blues
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| 3. | Wa Wa Wa
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| 4. | Tack Annie
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| 5. | New Wang Wang Blues
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| 6. | Snag It
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| 7. | Muskrat Ramble
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| 8. | Skid-Dat-De-Dat
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| 9. | Ory's Creole Trombone
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| 10. | Savoy Blues
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| 11. | Perdido Street Blues
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| 12. | Gatemouth
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| 13. | Too Tight
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| 14. | Papa Dip
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| 15. | I Can't Say
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| 16. | Mad Dog
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| 17. | Smokehouse Blues
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| 18. | Steamboat Stomp
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| 19. | Grandpa's Spells
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| 20. | Cannon Ball Blues
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| 21. | High Society
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| 22. | Sugar Foot Stomp
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| 23. | Muskrat Ramble
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| 24. | That's A-Plenty
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| 25. | Panama Rag
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Jazz / Dixieland, New Orleans Jazz, Jazz Instrument, Trombone Jazz
Albert Nicholas Multi Instruments
Andrew Hilaire Drums
Barney Bigard Multi Instruments
Ben Borders Drums
Bert Cobb Tuba
Billy Paige Multi Instruments
Bob Shoffner Cornet
Bud Scott Guitar, Banjo
Buster Wilson Piano
Charlie Crump ?
Darnell Howard Sax (Alto), Clarinet
David Flemming ?
Dink Johnson Clarinet
Ed Garland Bass
Freddy Washington Piano
George Mitchell Cornet
Jelly Roll Morton Piano
Jelly Roll Morton's Red Hot Peppers Performer
Jimmie Noone Clarinet
Joe Clarke Sax (Alto)
Johnny Dodds Clarinet
Johnny Lindsey Bass
Johnny St. Cyr Guitar, Banjo
Kid Ory Trombone
Kid Ory's Creole Jazz Band Performer
King Oliver Performer, Cornet
Lil Armstrong Piano
Louis Armstrong Performer, Vocals, Cornet
Luis Russell Piano
Mutt Carey Cornet
New Orleans Bootblacks Performer
New Orleans Wanderers Performer
Omer Simeon Clarinet
Paul Barbarin Drums
Phil Duffy Design
Stump Evans Multi Instruments
Vic Bellerby Liner Notes, Compilation Producer
Zutty Singleton Drums
The modern trombone can be traced back to the 14th and 15th century "sackbut," a rudimentary slip horn descended from the medieval slide trumpet. The 20th century jazz trombone grew directly from the life and work of Kid Ory (1886-1973), master of the purr, the growl, and the unmistakable "tailgate" glissando forever associated with old-fashioned New Orleans street parades and social functions. Living Era's Kid Ory tribute compilation illustrates his essential involvement in the establishment and development of traditional new orleans jazz. Ory is heard leading his own Sunshine Orchestra in 1922; sitting in with King Oliver, Jelly Roll Morton, Louis Armstrong, and Johnny Dodds during the years 1926-1927; and leading his own Creole Jazz Band (with Mutt Carey and Jimmie Noone) in March and April of 1944. The artistic breadth and depth represented by the collective personnel heard on these 25 vintage tracks is awe-inspiring and profound. There are several Kid Ory retrospectives on the market, and this one rates with the very best of them. ~ arwulf arwulf, All Music Guide
Kid Ory
Active Decades: '10s, '20s, '30s, '40s, '50s, '60s and '70s
Born: Dec 25, 1886 in LaPlace, LA
Died: Jan 23, 1973 in Honolulu, HI
Genre: Jazz
Styles: Dixieland, New Orleans Jazz, Jazz Instrument, Trombone Jazz
Kid Ory was one of the great New Orleans pioneers, an early trombonist who virtually defined the "tailgate" style (using his horn to play rhythmic bass lines in the front line behind the trumpet and clarinet) and who was fortunate enough to last through the lean years so he could make a major comeback in the mid-'40s. Originally a banjoist, Ory soon switched to trombone and by 1911 was leading a popular band in New Orleans. Among his trumpeters during the next eight years were Mutt Carey, King Oliver and a young Louis Armstrong and his clarinetists included Johnny Dodds, Sidney Bechet, and Jimmie Noone. In 1919, Ory moved to California and in 1922 (possibly 1921) recorded the first two titles by a Black New Orleans jazz band ("Ory's Creole Trombone" and "Society Blues") under the band title of Spike's Seven Pods of Pepper Orchestra. In 1925 he moved to Chicago, played regularly with King Oliver, and recorded many classic sides with Oliver, Louis Armstrong (in his Hot Five and Seven), and Jelly Roll Morton, among others.
The definitive New Orleans trombonist of the 1920s, Ory (whose "Muskrat Ramble" became a standard) was mostly out of music after 1930, running a chicken ranch with his brother. However in 1942 he was persuaded to return, and after a stint with Barney Bigard's group, he formed his own band. Ory's group was featured on Orson Welles' radio show in 1944 and the publicity made it possible for the band to catch on. The New Orleans revival was in full swing and Ory (whose group included trumpeter Mutt Carey and clarinetists Omer Simeon or Darnell Howard) was still in prime form. He appeared in the 1946 film New Orleans (and later on in The Benny Goodman Story) and worked steadily in Los Angeles. After Mutt Carey departed in 1948, Ory used Teddy Buckner, Marty Marsala, Alvin Alcorn (the perfect musician for his group), and Red Allen on trumpets and his Dixieland bands always boasted high musicianship (even with the leader's purposely primitive style) and a consistent level of excitement. They recorded regularly (most notably for Good Time Jazz) up to 1960 by which time Ory (already 73) was cutting back on his activities. He retired altogether in 1966, moving to Hawaii.
--- Scott Yanow, All Music Guide |
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