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| 6.201 Ft
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| 1. | Do What Ory Say
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| 2. | Careless Love
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| 3. | Eh, La Bas
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| 4. | Basin Street Blues
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| 5. | Rifle Rangers
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| 6. | Blues for Jimmie Noone
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| 7. | High Society
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| 8. | Boogie Woogie
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| 9. | Sister Kate
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| 10. | Mulford's Speech
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| 11. | Memphis Blues
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| 12. | Oh! Didn't He Ramble
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| 13. | Without You for an Inspiration
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| 14. | All the Girls Go Crazy
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| 15. | Go Back Where You Stayed Last Night
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Jazz / Dixieland, New Orleans Jazz, Jazz Instrument, Trombone Jazz
Bud Scott Guitar
Buster Wilson Piano
Doug Pomeroy System Design, Transfers
Ed Garland Sax (Bass)
Kid Ory Trombone
Minor Hall Drums
Far superior to the first volume, this CD continues the documentation of a 1947 gig for Kid Ory's Creole Jazz Band. At the time the trombonist's group included trumpeter Mutt Carey (who would leave the band right after this engagement ended) and clarinetist Joe Darensbourg. This group seemed to improve with each song so, by the second half of the night, they were in hot form. The recording quality varies but is listenable (with the crowd becoming more enthusiastic and probably drunker as the night progressed). The band runs through some of their favorite tunes, including "Do What Ory Said," "Eh, La Bas," "1919 March," "High Society" and "Oh! Didn't He Ramble." Ory fans are advised to pick this one up. ~ Scott Yanow, All Music Guide
Kid Ory
Active Decades: '10s, '20s, '30s, '40s, '50s, '60s and '70s
Born: Dec 25, 1886 in LaPlace, LA
Died: Jan 23, 1973 in Honolulu, HI
Genre: Jazz
Styles: Dixieland, New Orleans Jazz, Jazz Instrument, Trombone Jazz
Kid Ory was one of the great New Orleans pioneers, an early trombonist who virtually defined the "tailgate" style (using his horn to play rhythmic bass lines in the front line behind the trumpet and clarinet) and who was fortunate enough to last through the lean years so he could make a major comeback in the mid-'40s. Originally a banjoist, Ory soon switched to trombone and by 1911 was leading a popular band in New Orleans. Among his trumpeters during the next eight years were Mutt Carey, King Oliver and a young Louis Armstrong and his clarinetists included Johnny Dodds, Sidney Bechet, and Jimmie Noone. In 1919, Ory moved to California and in 1922 (possibly 1921) recorded the first two titles by a Black New Orleans jazz band ("Ory's Creole Trombone" and "Society Blues") under the band title of Spike's Seven Pods of Pepper Orchestra. In 1925 he moved to Chicago, played regularly with King Oliver, and recorded many classic sides with Oliver, Louis Armstrong (in his Hot Five and Seven), and Jelly Roll Morton, among others.
The definitive New Orleans trombonist of the 1920s, Ory (whose "Muskrat Ramble" became a standard) was mostly out of music after 1930, running a chicken ranch with his brother. However in 1942 he was persuaded to return, and after a stint with Barney Bigard's group, he formed his own band. Ory's group was featured on Orson Welles' radio show in 1944 and the publicity made it possible for the band to catch on. The New Orleans revival was in full swing and Ory (whose group included trumpeter Mutt Carey and clarinetists Omer Simeon or Darnell Howard) was still in prime form. He appeared in the 1946 film New Orleans (and later on in The Benny Goodman Story) and worked steadily in Los Angeles. After Mutt Carey departed in 1948, Ory used Teddy Buckner, Marty Marsala, Alvin Alcorn (the perfect musician for his group), and Red Allen on trumpets and his Dixieland bands always boasted high musicianship (even with the leader's purposely primitive style) and a consistent level of excitement. They recorded regularly (most notably for Good Time Jazz) up to 1960 by which time Ory (already 73) was cutting back on his activities. He retired altogether in 1966, moving to Hawaii.
--- Scott Yanow, All Music Guide |
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