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6.669 Ft
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1. | Savoy Blues
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2. | Creole Song
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3. | The Glory of Love
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4. | Mahogany Hall Stomp
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5. | Blues for Jimmy Noone
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6. | At a Georgia Camp Meeting
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7. | Go Back Where You Stayed Last Night
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8. | Yacka Hula Hickey Dula
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9. | The World's Jazz Crazy
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10. | Down-hearted Blues
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11. | See See Rider
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12. | Good Time Flat Blues
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13. | Careless Love
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14. | Nobody Knows You When You're Down and Out
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15. | Mecca Flat Blues
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16. | Fore Day Creep
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17. | Aunt Hagar's Blues
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18. | Birth of the Blues
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19. | Snag It
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20. | Yellow Dog Blues
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21. | Wang Wang Blues
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Jazz / Dixieland, New Orleans Jazz, Jazz Instrument, Trombone Jazz
Kid Ory (trom) Teddy Buckner (tr) Joe Darensbourg (cl, vc) Lloyd Glenn (pno) Julian Davidson (gu) Morty Corb (bs) Minor Hall (dr) Lee Sapphire (vc) Claire Austin (vc)
One of Jazz's legends with tracks from his most fruitful revival period of the early 1950s. The trumpet lead is the superb Teddy Buckner with a rhythm section that moves along with an easy swing and the CD includes rare tracks with Blues singer, Claire Austin. This CD represents a good example of one of the best bands Kid Ory led during his revival period.
Kid Ory
Active Decades: '10s, '20s, '30s, '40s, '50s, '60s and '70s Born: Dec 25, 1886 in LaPlace, LA Died: Jan 23, 1973 in Honolulu, HI Genre: Jazz Styles: Dixieland, New Orleans Jazz, Jazz Instrument, Trombone Jazz
Kid Ory was one of the great New Orleans pioneers, an early trombonist who virtually defined the "tailgate" style (using his horn to play rhythmic bass lines in the front line behind the trumpet and clarinet) and who was fortunate enough to last through the lean years so he could make a major comeback in the mid-'40s. Originally a banjoist, Ory soon switched to trombone and by 1911 was leading a popular band in New Orleans. Among his trumpeters during the next eight years were Mutt Carey, King Oliver and a young Louis Armstrong and his clarinetists included Johnny Dodds, Sidney Bechet, and Jimmie Noone. In 1919, Ory moved to California and in 1922 (possibly 1921) recorded the first two titles by a Black New Orleans jazz band ("Ory's Creole Trombone" and "Society Blues") under the band title of Spike's Seven Pods of Pepper Orchestra. In 1925 he moved to Chicago, played regularly with King Oliver, and recorded many classic sides with Oliver, Louis Armstrong (in his Hot Five and Seven), and Jelly Roll Morton, among others. The definitive New Orleans trombonist of the 1920s, Ory (whose "Muskrat Ramble" became a standard) was mostly out of music after 1930, running a chicken ranch with his brother. However in 1942 he was persuaded to return, and after a stint with Barney Bigard's group, he formed his own band. Ory's group was featured on Orson Welles' radio show in 1944 and the publicity made it possible for the band to catch on. The New Orleans revival was in full swing and Ory (whose group included trumpeter Mutt Carey and clarinetists Omer Simeon or Darnell Howard) was still in prime form. He appeared in the 1946 film New Orleans (and later on in The Benny Goodman Story) and worked steadily in Los Angeles. After Mutt Carey departed in 1948, Ory used Teddy Buckner, Marty Marsala, Alvin Alcorn (the perfect musician for his group), and Red Allen on trumpets and his Dixieland bands always boasted high musicianship (even with the leader's purposely primitive style) and a consistent level of excitement. They recorded regularly (most notably for Good Time Jazz) up to 1960 by which time Ory (already 73) was cutting back on his activities. He retired altogether in 1966, moving to Hawaii. --- Scott Yanow, All Music Guide |
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