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3 x CD |
| 6.838 Ft
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| 1. CD tartalma: |
| 1. | The Chef
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| 2. | Have Horn Will Blow
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| 3. | In the Kitchen
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| 4. | But Beautiful
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| 5. | But Beautiful [Alternate Take]
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| 6. | Three Deuces
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| 7. | Tangerine
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| 8. | Pots and Pans
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| 9. | Old Devil Moon
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| 10. | I'll Never Be the Same
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| 11. | I Let a Song Go Out of My Heart
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| 12. | You Stepped Out of a Dream
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| 13. | It's a Blue World
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| 2. CD tartalma: |
| 1. | Blue Lou
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| 2. | Avalon
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| 3. | Too Close for Comfort
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| 4. | Willow, Weep for Me
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| 5. | But Not for Me
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| 6. | Strike Up the Band
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| 7. | I'm Just a Lucky So and So
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| 8. | Body and Soul
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| 9. | Pennies from Heaven
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| 10. | The Broilers
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| 11. | The Goose Hangs High
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| 12. | Simmerin'
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| 13. | Heat & Serve
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| 14. | My Old Flame
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| 3. CD tartalma: |
| 1. | Serenade in Blue
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| 2. | Stardust
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| 3. | High Fry
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| 4. | Skillet
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| 5. | Smoke This
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| 6. | I Surrender Dear
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| 7. | Jaws
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| 8. | The Rev
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| 9. | It Could Happen to You
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| 10. | What's New
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| 11. | The Very Thought of You
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| 12. | The Man I Love
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| 13. | Smoke Gets in Your Eyes
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| 14. | I Cover the Waterfront
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Jazz
Jerome Richardson, Shirley Scott, George Duvivier, Arthur Edgehill
2010 three CD set containing the complete Cookbook sessions by Eddie Lockjaw Davis in a quartet/quintet format with Shirley Scott on organ and, on some tracks, Jerome Richardson on flute and tenor sax. This is the first time that all of this material is contained on a single set and in the order in which it was recorded. Includes 24-page booklet with original liner notes and original artwork.
Eddie "Lockjaw" Davis
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Mar 02, 1922 in New York, NY
Died: Nov 03, 1986 in Culver City, CA
Genre: Jazz
Styles: Bop, Hard Bop, Latin Jazz, Soul Jazz, Swing, World Fusion
Possessor of a cutting and immediately identifiable tough tenor tone, Eddie "Lockjaw" Davis could hold his own in a saxophone battle with anyone. Early on, he picked up experience playing with the bands of Cootie Williams (1942-1944), Lucky Millinder, Andy Kirk (1945-1946), and Louis Armstrong. He began heading his own groups from 1946 and Davis' earliest recordings as a leader tended to be explosive R&B affairs with plenty of screaming from his horn; he matched wits successfully with Fats Navarro on one session. Davis was with Count Basie's Orchestra on several occasional (including 1952-1953, 1957, and 1964-1973) and teamed up with Shirley Scott's trio during 1955-1960. During 1960-1962, he collaborated in some exciting performances and recordings with Johnny Griffin, a fellow tenor who was just as combative as Davis. After temporarily retiring to become a booking agent (1963-1964), Davis rejoined Basie. In his later years, Lockjaw often recorded with Harry "Sweets" Edison and he remained a busy soloist up until his death. Through the decades, he recorded as a leader for many labels, including Savoy, Apollo, Roost, King, Roulette, Prestige/Jazzland/Moodsville, RCA, Storyville, MPS, Black & Blue, Spotlite, SteepleChase, Pablo, Muse, and Enja.
---Scott Yanow, All Music Guide
Shirley Scott
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Mar 14, 1934 in Philadelphia, PA
Died: Mar 10, 2002 in Philadelphia, PA
Genre: Jazz
Styles: Hard Bop, Soul Jazz
An admirer of the seminal Jimmy Smith, Shirley Scott has been one of the organ's most appealing representatives since the late '50s. Scott, a very melodic and accessible player, started out on piano and played trumpet in high school before taking up the Hammond B-3 and enjoying national recognition in the late '50s with her superb Prestige dates with tenor sax great Eddie "Lockjaw" Davis. Especially popular was their 1958 hit "In the Kitchen." Her reputation was cemented during the '60s on several superb, soulful organ/soul-jazz dates where she demonstrated an aggressive, highly rhythmic attack blending intricate bebop harmonies with bluesy melodies and a gospel influence, punctuating everything with great use of the bass pedals. Scott married soul-jazz tenor man Stanley Turrentine, with whom she often recorded in the '60s. The ScottTurrentine union lasted until the early '70s, and their musical collaborations in the '60s were among the finest in the field. Scott wasn't as visible the following decade, when the popularity of organ combos decreased and labels were more interested in fusion and pop-jazz (though she did record some albums for ChessCadet and Strata East). But organists regained their popularity in the late '80s, which found her recording for Muse. Though known primarily for her organ playing, Scott is also a superb pianist -- in the 1990s, she played piano exclusively on some trio recordings for Candid, and embraced the instrument consistently in Philly jazz venues in the early part of the decade. At the end of the '90s, Scott's heart was damaged by the diet drug combination, fen-phen, leading to her declining health. In 2000 she was awarded $8 million in a lawsuit against the manufacturers of the drug. On March 10, 2002 she died of heart failure at Presbyterian Hospital in Philadelphia.
---Alex Henderson and Ron Wynn, All Music Guide |
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