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At The Jazz Band Ball / Clarinet
Original Dixieland Jazz Band
német
első megjelenés éve: 2004
107 perc
(2010)   [ DIGIPACK ]

2 x CD
3.726 Ft 

 

IMPORT!
Kosaramba teszem
1. CD tartalma:
1.  Livery Stable Blues
2.  Dixie Jazz Band One Step
3.  At The Jazz Band Ball
4.  Ostrich Walk
5.  Skelton Jangle
6.  Tiger Rag
7.  Bluin' The Blues
8.  Fidgety Feet
9.  Sensation Rag
10.  Mournin' Blues
11.  Clarinet Marmalade Blues
12.  Lazy Daddy
13.  Margie
14.  Palesteena
15.  Broadway Rose
16.  Sweet Mama
17.  Home Again Blues
18.  Crazy Blues
 
2. CD tartalma:
1.  Jazz Me Blues
2.  St. Louis Blues
3.  Royal Garden Blues
4.  Dangerous Blues
5.  Bow Wow Blues [My Mama Treats Me Like A Dog]
6.  Skeleton Jangle
7.  Clarinet Marmalade
8.  Bluin' The Blues
9.  Tiger Rag
10.  Barn Yard Blues
11.  Original Dixieland One Step
12.  Bluin' The Blues
13.  Tiger Rag
14.  Ostrich Walk
15.  Original Dixieland One Step
16.  Satanic Blues
17.  Toddlin' Blues
18.  Who Loves You
19.  Fidgety Feet
Jazz

CD 1: At The Jazz Band Ball - 53:47 min.

Livery Stable Blues
Dixie Jazz Band One Step
New York. February 26. 1917
Dominic Larocca (en), Edwing Edwards (tb), Lawrence Shields (cl), Henry Ragas (p), Antonio Sbarbaro (d)

At The Jazz Band Ball
Ostrich Walk
New York, March 18, 1918
Same

Skeleton Jangle
Tiger Rag
New York, March 25, 1918
Same

Bluin' The Blues
Fidgety Feet (War Cloud)
Sensation Rag
New York, June 25, 1918
Same

Mournin' Blues
Clarinet Marmalade Blues
Lazy Daddy
New York, July 17, 1918
Same

Margie
New York, December 1, 1920
Nick Larocca (cn), Eddie Edwards (tb), Larry Shields (cl), Bennie Krueger (as), James Robinson (p), Tony Sbarbaro (d)

Palesteena
New York, December 4, 1920
Same

Broadway Rose
New York, December 30, 1920
Same

Sweet Mama
New York, December 30, 1920
Same, Clifford Cairns, Edward King (vcl).

Home Again Blues
Crazy Blues
New York, January 28, 1921
Nick Larocca (en), Eddie Edwards (tb), Larry Shields (cl), Bennie Krueger (as), James Robinson (p), Tony Sbarbaro (d)


CD 2: Clarinet Marmalade - 52:35 min.

Jazz Me Blues
New York, May 3, 1921
Nick Larocca (cn), Eddie Edwards (tb), Larry Shields (cl), Bennie Krueger (as), Frank Signorelli (p), Tony Sbarbaro (d)

St. Louis Blues
Royal Garden Blues
Dangerous Blues
New York, May 25, 1921
Nick Larocca (cn), Eddie Edwards (tb), Larry Shields (cl), Bennie Krueger (as), Frank Signorelli (p), Tony Sbarbaro (d), Al Bernard (vcl)

Bow Wow Blues (My Mama Treats
Me Like A Dog)
New York, December 1, 1921
Nick Larocca (cn), Eddie Edwards (tb), Larry Shields (cl), Bennie Krueger (as), Frank Signorelli (p), Tony Sbarbaro (d)

Skeleton Jangle
New York, September 25, 1936
Nick Larocca (cn), Eddie Edwards (tb), Larry Shields (cl), James Russell Robinson (p), Tony Sbarbaro (d)

Clarinet Marmalade
Blum' The Blues
Tiger Rag
Barnyard Blues
New York, November 10, 1936
Same

Original Dixieland One Step
Bluin' The Blues
Tiger Rag
Ostrich Walk
Original Dixieland One Step
Satanic Blues
New York, September 2 1936
Nick Larocca (cn), Earle Ison, George Walters, George Johnson (tp), Charles Harris, Alex Polascay (tb), Larry Shields (cl), Joe Hunkler, Buddy Saffer (as), George Dessinger (ts), James Russell Robinson (p), Chris Fletcher (g), Boyd Bennett (b), Tony Sbarbaro (d)

Toddlin' Blues
Fidgety Feet
New York, September 25, 1936
Same

Who Loves You
New York, September 25, 1936
Same, Chris Fletcher (vcl)

Buchformat 2 CD + 20 page booklet

In 1917 the Original Dixieland Jazz Band rolled out the first jazz record in general. It was also the first jazz band to leap into international fame. The Music of the ODJB was completely new to the audience. With the collective improvisation of the three melody instruments and the syncopated two-beat it differed considerably from the then modern ragtime.



Original Dixieland Jazz Band

Active Decades: '10s, '20s and '30s
Born: 1917 in New Orleans, LA
Died: 1923
Genre: Jazz

The first jazz group to ever record, Original Dixieland Jazz Band made history in 1917. They were not the first group to ever play jazz (Buddy Bolden had preceded them by 22 years!), nor was this White quintet necessarily the best band of the time, but during 1917-1923 (particularly in their earliest years) they did a great deal to popularize jazz. The musicians learned about jazz from their fellow New Orleans players (including King Oliver) but happened to get their big break first. In 1916, drummer Johnny Stein, cornetist Nick LaRocca, trombonist Eddie Edwards, pianist Henry Ragas, and clarinetist Alcide "Yellow" Nunez played together in Chicago. With Tony Sbarbaro replacing Stein and Larry Shields taking over for Nunez, the band was booked at Resenweber's restaurant in New York in early 1917. Their exuberant music (which stuck exclusively to ensembles with the only solos being short breaks) caused a major sensation. Columbia recorded ODJB playing "Darktown Strutters Ball" and "Indiana," but was afraid to put out the records. Victor stepped in and recorded the group playing the novelty "Livery Stable Blues" (which found the horns imitating barnyard animals) and "Dixie Jass Band One-Step" and quickly released the music; "Livery Stable Blues" was a huge hit that really launched the jazz age. During the next few years ODJB would introduce such future standards as "Tiger Rag," "At the Jazz Band Ball," "Fidgety Feet," "Sensation," "Clarinet Marmalade," "Margie," "Jazz Me Blues," and "Royal Garden Blues." The group (with J. Russel Robinson taking the place of Ragas, who died in the 1919 flu epidemic, and trombonist Emile Christian filling in for Edwards) visited London during 1919-1920 and they once again caused quite a stir, introducing jazz to Europe. However upon their return to the U.S., ODJB was considered a bit out of fashion after the rise of Paul Whiteman and in 1922 New Orleans Rhythm Kings (a far superior group). By 1923 when many of the first Black jazz giants finally were recorded, ODJB was thought of as a historical band and due to internal dissension they soon broke up. In 1936 LaRocca, Shields, Edwards, Robinson, and Sbarbaro (the latter the only musician to have a full-time career by then) had a reunion and did a few final recordings together before LaRocca permanently retired. Although the cornetist's arrogant claims that ODJB had invented jazz are exaggerated and tinged with racism, Original Dixieland Jazz Band did make a strong contribution to early jazz (most groups that recorded during 1918-1921 emulated their style), helped supply the repertoire of many later Dixieland bands, and were an influence on Bix Beiderbecke and Red Nichols.
---Scott Yanow, All Music Guide

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