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| Modern Jazz Archive - Chili Pepper / Short Stop |
| Art Pepper |
német
első megjelenés éve: 2004 |
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| (2010)
[ DIGIPACK ]
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2 x CD |
| 3.726 Ft
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| 1. CD tartalma: |
| 1. | Art Pepper
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| 2. | Dynaflow
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| 3. | Jump For Joe
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| 4. | Sambo
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| 5. | Street Of Dreams
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| 6. | All Of Me
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| 7. | Over The Rainbow
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| 8. | Popo
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| 9. | Didi
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| 10. | Sam And The Lady
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| 11. | Apropos
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| 12. | The Count On Rush Street
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| 13. | Pooch McGooch
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| 14. | Brown Gold
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| 15. | Holiday Flight
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| 16. | Surf Ride
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| 17. | These Foolish Things
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| 18. | Short Stop
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| 19. | Boar Jibu
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| 20. | Everything Happens To Me
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| |
| 2. CD tartalma: |
| 1. | Bluebird
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| 2. | Pennies From Heaven
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| 3. | The Sweetheart Of Sigmund Freud
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| 4. | Straight Life
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| 5. | Cinnamon
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| 6. | Thyme Time
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| 7. | The Way You Look Tonight
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| 8. | Nutmeg
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| 9. | Art's Oregano
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| 10. | Deep Purple
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| 11. | What's New
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Jazz
CD 1: Chili Pepper - 60:49 min.
Art Pepper
Hollywood, May 1950
Stan Kenton And His Orchestra
Dynaflow
Hollywood, March 28, 1951
Same.
Jump For Joe
Hollywood, May 31, 1951
Same.
Sambo
Hollywood, September 19, 1951
Same.
Street Of Dreams
Hollywood, September 20, 1951
Same.
All Of Me
November 12, 1951
Conte Candoli (tp), Bill Russo (tb), Art Pepper (as), Bob Cooper (ts), Gene Esposito (p), Don Bagley (b), Shelly Manne (d)(vcl)
Over The Rainbow
Popo
Didi
Sam And The Lady
Apropos
Los Angeles, October 8,1951
Shorty Rogers (tp), John Graas (frh), Gene Englund (tuba), Art Pepper (as), Jimmy Giuffre (ts), Hampton Hawes (p), Don Bagley (b), Shelly Manne (d)
The Count On Rush Street
Pooch McGooch
November 12,1951
Conte Candoli (tp), Bill Russo (tb), Art Pepper (as), Bob Cooper (ts), Gene Esposito (p), Don Bagley (b), Shelly Manne (d)(vcl)
Brown Gold
Holiday Flight
Surf Ride
February 7.1952
Art Pepper (as), Hampton Hawes (p), Joe Mondragon (b), Larry Bunker (d)
These Foolish Things
March 4, 1952
Art Pepper (as), Hampton Hawed (p), Joe Mandragon (b), Larry Bunker (d)
Short Stop
Boar - Jibu
Los Angeles, March 26, 1953
Shorty Rogers And His Orchestra featuring The Giants: Shorty Rogers (tp)(dir), Conrad Gozzo, Maynard Ferguson, Pete Candoli, John Howell (tp), Milt Bernhart, John Haliburton, Harry Betts (tb), John Grass (fh), Gene Englund (tuba), Art Pepper (as)(ts)(bar), Bud Shank (as)(bar), Jimmy Giufre, Bob Cooper (ts)(bar), Marty Paich (p), Curtis Counce (sb), Shelly Manne (d)
Everything Happens To Me
March 29, 1953
Art Pepper (as), Russ Freeman (p), Bob Whitlock (b), Bobby White (d)
CD 2: Short Stop -52:38 min.
Bluebird
Pennies From Heaven
California, March 30, 1953
Art Pepper (as), Sonny Clark (p), Harry Babasin (bs)(cel), Bobby White (d)
The Sweetheart Of Sigmund Freud
Los Angeles, April 2, 1953
Conte Candoli (tp), Bill Russo (tb), Art Pepper (as), Bob Cooper (ts), Gene Esposito (p), Don Bagley (b), Shelly Manne (d)(vcl)
Straight Life
Cinnamon
Thyme Time
The Way You Look Tonight
Nutmeg
Art's Oregano
December 24,1953
Art Pepper (as), Jack Montrose (ts), Claude Williamson (p), Monte Budwig (b), Larry Bunker (d)
Deep Purple
What’s New
August 25, 1954
Art Pepper (as), Jack Montrose (ts), Claude Williamson (p), Monty Budwig (b), Larry Bunker (d)
Buchformat 2 CD + 20 page booklet
Many saxophonists were inspired by Charlie Parker in his day. Art Pepper was one of the few alto saxophonists, who accomplished to free himself from the superior influence of Parker and find himself an own statement.. Still his early recordings show, that beside Parker also Benny Carter, Lester Young and John Coltrane inspired Pepper's style.
Art Pepper
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Sep 01, 1925 in Gardena, CA
Died: Jun 01, 1982 in Panorama City, CA
Genre: Jazz
Styles: Opera, Bop, Cool, Post-Bop, Hard Bop, West Coast Jazz, Mainstream Jazz, Jazz Instrument, Saxophone Jazz
Despite a remarkably colorful and difficult life, Art Pepper was quite consistent in the recording studios; virtually every recording he made is well worth getting. In the 1950s he was one of the few altoists (along with Lee Konitz and Paul Desmond) that was able to develop his own sound despite the dominant influence of Charlie Parker. During his last years, Pepper seemed to put all of his life's experiences into his music and he played with startling emotional intensity.
After a brief stint with Gus Arnheim, Pepper played with mostly black groups on Central Avenue in Los Angeles. He spent a little time in the Benny Carter and Stan Kenton orchestras before serving time in the military (1944-1946). Some of Pepper's happiest days were during his years with Stan Kenton (1947-1952), although he became a heroin addict in that period. The 1950s found the altoist recording frequently both as a leader and a sideman, resulting in at least two classics (Plays Modern Jazz Classics and Meets the Rhythm Section), but he also spent two periods in jail due to drug offenses during 1953-1956. Pepper was in top form during his Contemporary recordings of 1957-1960, but the first half of his career ended abruptly with long prison sentences that dominated the 1960s. His occasional gigs between jail terms found him adopting a harder tone influenced by John Coltrane that disturbed some of his longtime followers. He recorded with Buddy Rich in 1968 before getting seriously ill and rehabilitating at Synanon (1969-1971). Art Pepper began his serious comeback in 1975 and the unthinkable happened. Under the guidance and inspiration of his wife Laurie, Pepper not only recovered his former form but topped himself with intense solos that were quite unique; he also enjoyed occasionally playing clarinet. His recordings for Contemporary and Galaxy rank with the greatest work of his career. Pepper's autobiography -Straight Life (written with his wife) is a brutally honest book that details his sometimes horrifying life. When Art Pepper died at the age of 56, he had attained his goal of becoming the world's great altoist.
---Scott Yanow, All Music Guide |
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