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| Mucho Calor |
| Art Pepper |
| első megjelenés éve: 2008 |
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| (2008)
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CD |
| 5.038 Ft
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| 1. | Mucho Calor
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| 2. | Autumn Leaves 3:§7
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| 3. | Mambo de la Pinta
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| 4. | I'll Remember April
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| 5. | Vaya Hombre Vaya
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| 6. | I Love You
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| 7. | Mambo Jumbo
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| 8. | Old Devil Moon
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| 9. | Pernod
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| 10. | That Old Black Magic
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| 11. | Didi [*]
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| 12. | Powder Puff [*]
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| 13. | Bunny [*]
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| 14. | Diablo's Dance [*]
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| 15. | Diablo's Dance [Alternate Take][*]
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| 16. | Popo [*]
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| 17. | Popo [Alternate Take][*]
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Jazz / Bop, Cool, Post-Bop
Tracks #1-10: 'Mucho Calor' (Andex A-3002)
Recorded at the Forum Theater, Los Angeles, on October 3, 1957
Tracks #11-17: 'Art Pepper Plays Shorty Rogers & Others (Pacific Jazz PJ-LA 896-H)
Recorded in Hollywood, on August 12, 1957
Art Pepper (as)
Conte Candoli (tp), Bill Perkins (ts), Russ Freeman (p), Ben Tucker (b), Chuck Flores (d), Jack Costanzo, Mike Pacheco (bongos) / Don Fagerquist (tp), Stu Williamson (v-tb), Red Callender (tu), Bill Holman (ts), Bud Shank (bar), Russ Free
2008 release. This compilation contains Art Pepper and Conte Candoli's octet album Mucho Calor in its entirety, as well as Pepper's complete August 12, 1957 nonet session, included here as a bonus. Includes 12-page comprehensive booklet.
This release contains Art Pepper and Conte Candoli’s octet Andex album 'Mucho Calor' in its entirety, as well as Art Pepper’s complete August 12, 1957 nonet session 'Art Pepper Plays Shorty Rogers & Others' originally issued on Pacific Jazz, included here as a bonus album.
This recording brings back an obscure session from the long defunct Andex label that was probably recorded around 1956. The emphasis is on Latin jazz with altoist Art Pepper, trumpeter Conte Candoli, tenor saxophonist Bill Perkins, pianist Russ Freeman, bassist Ben Tucker, and drummer Chuck Flores interacting with the percussion of Jack Costanza and Mike Pacheko. With arrangements by Bill Holman, Johnny Mandel, Benny Carter, and Pepper, the music is quite jazz-oriented if a touch lightweight. Worth investigating by fans of the idiom. [Jazz Track's 2008 reissue featured seven bonus tracks.] ~ Scott Yanow, All Music Guide
Art Pepper
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Sep 01, 1925 in Gardena, CA
Died: Jun 01, 1982 in Panorama City, CA
Genre: Jazz
Styles: Opera, Bop, Cool, Post-Bop, Hard Bop, West Coast Jazz, Mainstream Jazz, Jazz Instrument, Saxophone Jazz
Despite a remarkably colorful and difficult life, Art Pepper was quite consistent in the recording studios; virtually every recording he made is well worth getting. In the 1950s he was one of the few altoists (along with Lee Konitz and Paul Desmond) that was able to develop his own sound despite the dominant influence of Charlie Parker. During his last years, Pepper seemed to put all of his life's experiences into his music and he played with startling emotional intensity.
After a brief stint with Gus Arnheim, Pepper played with mostly black groups on Central Avenue in Los Angeles. He spent a little time in the Benny Carter and Stan Kenton orchestras before serving time in the military (1944-1946). Some of Pepper's happiest days were during his years with Stan Kenton (1947-1952), although he became a heroin addict in that period. The 1950s found the altoist recording frequently both as a leader and a sideman, resulting in at least two classics (Plays Modern Jazz Classics and Meets the Rhythm Section), but he also spent two periods in jail due to drug offenses during 1953-1956. Pepper was in top form during his Contemporary recordings of 1957-1960, but the first half of his career ended abruptly with long prison sentences that dominated the 1960s. His occasional gigs between jail terms found him adopting a harder tone influenced by John Coltrane that disturbed some of his longtime followers. He recorded with Buddy Rich in 1968 before getting seriously ill and rehabilitating at Synanon (1969-1971). Art Pepper began his serious comeback in 1975 and the unthinkable happened. Under the guidance and inspiration of his wife Laurie, Pepper not only recovered his former form but topped himself with intense solos that were quite unique; he also enjoyed occasionally playing clarinet. His recordings for Contemporary and Galaxy rank with the greatest work of his career. Pepper's autobiography -Straight Life (written with his wife) is a brutally honest book that details his sometimes horrifying life. When Art Pepper died at the age of 56, he had attained his goal of becoming the world's great altoist.
---Scott Yanow, All Music Guide |
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