| Jazz 
 THE BUCKTOWN FIVE: Muggsy Spanier (cnt); Guy Carey (tmb); Volly De Faut (clt);
 Mel Stitzel (pno); Marvin Saxbe (bjo, cym)
 Richmond, Indiana, 25th February 1924
 Really A Pain
 Steady Roll Blues
 
 CHICAGO RHYTHM KINGS: Muggsy Spanier (cnt); Frank Teschmacher (clt)
 Mezz Mezzrow (ten); Joe Sullivan (pno); Eddie Condon (bjo); Jim Lanigan (b-bs)
 Gene Krupa (dms)
 Chicago, 6th April 1928
 I've Found A New Baby
 There'll Be Some Changes Made (Vocal By Red McKenzie)
 
 TED LEWIS AND HIS BAND: Muggsy Spanier, Dave Klein (cnt); George Brunies, Harry Raderman (tmb); Sol Klein, Sol Shapiro (vln); Jack Aaronson (pno)
 Tony Gerhardi (bjo); Harry Barth (tu); John Lucas (dms)
 New York, 10th January 1930
 The Lonesome Road (Vocal By Ted Lewis and The Dixie Four)
 
 TED LEWIS AND HIS BAND: Muggsy Spanier, Dave Klein (cnt); George Brunies
 Sam Blank (tmb); Benny Goodman (clt, alt); Louis Martin (clt, alt, bar); Sol Klein
 Sam Shapiro (vln); Jack Aaronson (pno); Teddy Gerhardi (gtr); Harry Barth (bs)
 John Lucas (dms)
 New York, 13th April 1931
 Dip Your Brush In The Sunshine (Vocal By Ted Lewis)
 
 MUGGSY SPANIER AND HIS RAGTIME BAND: Muggsy Spanier (cnt);
 George Brunies (tmb); Rod Cless (clt); Ray McKinstry (ten); George Zack (pno)
 Bob Casey (gtr); Pat Pattison (bs); Marty Greenberg (dms)
 Chicago, 7th July 1939
 The Big Butter And Egg Man (Speech By George Brunies)
 Someday, Sweetheart
 
 MUGGSY SPANIER AND HIS RAGTIME BAND: Muggsy Spanier (cnt);
 George Brunies (tmb); Rod Cless (clt); Bernie Billings (ten); Joe Bushkin (pno)
 Bob Casey (bs); Don Carter (dms)
 New York, 10th November 1939
 At The Jazz Band Ball
 
 MUGGSY SPANIER AND HIS RAGTIME BAND: As Last Except Nick Caiazza (ten) replaces Billings
 New York, 22 November 1939
 Relaxin' At The Touro
 
 LEE WILEY: Muggsy Spanier (cnt); Jess Stacy (pno); Lee Wiley (Vocal)
 New York, 10-11 July 1940
 Down To Steamboat Tennessee
 Sugar
 
 MUGGSY SPANIER AND HIS ORCHESTRA: Muggsy Spanier (cnt); Ralph Muzzillo, Frank Bruno, Leon Schwartz (tpt); Bud Smith, Vernon Brown (tmb); Irving Fazola (clt)
 Joe Herde (clt, alt); Nick Caiazza, Johnny Smith (ten); Bennie Goodman (clt, bar)
 Dave Bowman (pno); Ken Broadhurst (gtr); Jack Kelleher (bs); Don Carter (dms)
 Little David, Play On Your Harp
 Can't We Be Friends?
 Chicago
 
 MUGGSY SPANIER AND HIS RAGTIMERS: Spanier, Brown, Fazola, Caiazza, plus rhythm as last. Same date
 Hesitating Blues
 
 MUGGSY SPANIER AND HIS ORCHESTRA: Muggsy Spanier (cnt); Ruby Weinstein, Leon Schwartz, Elmer O'Brien (tpt); Vernon Brown, Ford Leary (tmb); Joe Herde
 Karl Kates (clt, alt); Nick Caiazza, Joe Forchetti (ten); Ed Caine (bar); Charlie Queener (pno); Ken Broadhurst (gtr); Jack Kelleher (bs); Al Hammer (dms)
 New York, 1st June 1942
 The Wreck Of The Old 97 (Vocal By Ford Leary)
 American Patrol
 Two O'clock Jump
 More Than You Know (Vocal By Dottie Reid)
 
 MUGGSY SPANIER AND HIS RAGTIMERS: Muggsy Spanier (cnt)
 Pee Wee Russell (clt); Ernie Caceres (bar); Dick Cary (pno); Eddie Condon (gtr)
 Sid Weiss (bs); Joe Grauso (dms)
 New York, 22nd April 1944
 Oh, Lady Be Good!
 September In The Rain
 
 MUGGSY SPANIER AND HIS RAGTIMERS: Muggsy Spanier (cnt); Miff Mole (tmb)
 Pee Wee Russell (clt); Boomie Richman (ten); Gene Schroeder (pno); Eddie Condon (gtr) Bob Haggart (bs); George Wettling (dms)
 New York, 27th September 1944
 Riverside Blues
 Rosetta
 
 MUGGSY SPANIER AND HIS RAGTIMERS: Muggsy Spanier (cnt);
 Lou McGarity (tmb); Pee Wee Russell (clt); Gene Schroeder (pno); Eddie Condon (gtr)
 Bob Haggart (bs); Joe Grauso (dms)
 New York, 7TH December 1944
 The Lady's In Love With You
 Whistlin' The Blues (Whistling by Bob Haggart)
 
 PEE WEE RUSSELL JAZZ ENSEMBLE: Muggsy Spanier (cnt); Vic Dickenson (tmb)
 Pee Wee Russell (clt); Nich Caiazza (ten); Cliff Jackson (pno); Francis Palmer (bs)
 Joe Grauso (dms)
 New York, 28th May 1946
 Since My Best Gal Turned Me Down
 Muskogee Blues
 Rosie (Vocal By Cliff Jackson)
 
 As last except Bob Casey (bs) replaces Palmer.
 Take Me To The Land Of Jazz (Vocal by Muggsy Spanier and Pee Wee Russell)
 I'd Climb The Highest Mountain
 Red-Hot Mama
 
 MUGGSY SPANIER AND HIS ORCHESTRA: Muggsy Spanier (cnt)
 Vernon Brown (tmb); Pee Wee Russell (clt); Nich Caiazza (ten); Gene Schroeder (pno)
 Bob Haggart (bs); George Wettling (dms)
 New York, 9th September 1946
 Pee Wee Squawks (speech by Muggsy Spanier, Vocal By Pee Wee Russell)
 Sentimental Journey (Whistling by Bob Haggart)
 Muggsy Special
 You're Driving Me Crazy
 Am I Blue?
 How Come You Do Me Like You Do?
 Sentimental Journey (Different Take)
 
 MUGGSY SPANIER AND HIS JAZZ BAND: Muggsy Spanier (cnt)
 Ralph Hutchinson (tmb); Phil Gomez (clt); Red Richards (pno); Truck Parham (bs); George Wettling (dms)
 New York, 4th September 1954
 Chicago
 When The Saints Go Marching In
 Blue Turning Grey Over You
 Tin Roof Blues
 Muskrat Ramble
 St. Louis Blues
 Rose Room
 Memphis Blues
 Royal Garden Blues
 
 Our Essential Collection this time out finds us greeting one of the greatest cornettists of the 20th Century, perhaps not as universally well known as Bix Beiderbecke but arguably as great a musician.
 Muggsy Spanier was born to French and Irish parents in Chicago in 1901 and following his career we can almost trace the history of jazz itself, from New Orleans to Chicago to the West Coast via Dixieland to Big Band Swing and Be Bop to small band units. It was in Chicago that Muggsy heard all the early jazz greats from the legendary Dixieland Jazz Band itself to the New Orleans Rhythm Kings and the mighty King Oliver’s Creole Jazz Band, soon to be joined by a young trumpet player called Louis Armstrong! It was in fact Oliver’s cornet that appealed to the young Muggsy and he duly took up the instrument he was to go on to make his own. Our superbly re-mastered double CD contains tracks from throughout his career starting as far back as 1924 with the Bucktown Five. We follow him into the Ted Lewis Band where he was the featured hot soloist and then jump ahead to 1936 where we find Muggsy with the Ben Pollack Orchestra. By 1939 Muggsy Spanier’s Ragtime Band was in full cry until the mid 1940’s when musical fashion’s changed and he found himself joining the Bob Crosby Orchestra. The 1940’s continued to see Muggsy switching bands from Crosby to Milt Gabler’s Commodore label band and back to Ted Lewis where the one consistent was the swinging sound of his cornet featuring alongside legends such as Miff Mole and Pee Wee Russell. In the 1950’s he again formed his own band and went on the road playing good jazz standards and popular songs with the inevitable changing line ups. By 1957 Muggsy had moved to the San Francisco area settling down with his wife where he found steady work with the locally based Earl Hines band. He led a relatively quiet life until his death in 1967.
 
 
 
 Muggsy Spanier
 
 Active Decades: '20s, '30s, '40s, '50s and '60s
 Born: Nov 09, 1906 in Chicago, IL
 Died: Feb 12, 1967 in Sausalito, CA
 Genre: Jazz
 
 Muggsy Spanier was a predictable but forceful cornetist who rarely strayed far from the melody. Perfectly at home in Dixieland ensembles, Spanier was also an emotional soloist (equally influenced by King Oliver and Louis Armstrong) who was an expert at using the plunger mute. He started on cornet when he was 13, played with Elmer Schoebel's band in 1921, and first recorded in 1924. Spanier was a fixture in Chicago throughout the decade (appearing on several important early records) before joining Ted Lewis in 1929. Although Lewis was essentially a corny showman, Spanier's solos gave his band some validity during the next seven years. After a stint with Ben Pollack's orchestra (1936-1938), Spanier became seriously ill and was hospitalized for three months. After he recovered, the cornetist formed his famous eight-piece "Ragtime Band" and recorded 16 Dixieland performances for Bluebird (later dubbed The Great Sixteen) that virtually defined the music of the Dixieland revival movement. But because his group actually preceded the revival by a couple years, it soon had to break up due to lack of work. Muggsy joined Bob Crosby for a time, had his own short-lived big band, freelanced with Dixieland bands in New York, and starting in 1950 he gradually relocated to the West Coast. During 1957-1959 Spanier worked with Earl Hines' band and he continued playing up until his retirement in 1964, touring Europe in 1960 and always retaining his popularity in the Dixieland world.
 ---Scott Yanow, All Music Guide
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