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| 1. | What The Kraken Knows
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| 2. | Jorge's Bolero
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| 3. | New Chimes Blues
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| 4. | Mystique
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| 5. | Hullabaloo
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| 6. | 3-D Montevideo
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| 7. | In Memoriam
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| 8. | The Inevitable Wall
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Jazz / Post-Bop
Recorded in New Jersey, 1998
Ethan Iverson (p)
Reid Anderson (b)
Jorge Rossy (d)
"Upon reading Ethan Iverson's highly intelligent yet good-humored liner notes to this fine album, one is already acquainted with an artist of great sensitivity and imagination. The music doesn't at all disappoint. Accompanied by Reid Anderson on bass and Jorge Rossy on drums, Iverson sketches rich and varied piano portraits — from the slow, ominous groove of "What the Kraken Knows" to the multimetric frenzy of "Hullabaloo 2" and the abstract, shifting ensemble configurations of "In Memoriam."
Along with its sister CD, Deconstruction Zone (Standards), this record reveals Iverson as a musician of uncommon depth and personality.
---By David R. Adler (All Music Guide)
Ethan Iverson
Active Decades: '90s and '00s
Born: Feb 11, 1973 in Menomonie, WI
Genre: Jazz
Jazz pianist Ethan Iverson's classically informed writing and playing rivals that of the far more famous Brad Mehldau. Claiming influences as disparate as Stravinsky and Ornette Coleman, the Wisconsin-raised Iverson has displayed great potential at a rather young age. In 1991, he relocated to New York, eventually beginning private studies with Fred Hersch and Sofia Rosoff. He made his recording debut in 1993 at age 20 with School Work, a disc which featured tenor saxophone giant Dewey Redman. Iverson has since worked extensively with Reid Anderson, Mark Turner, Bill McHenry, and Patrick Zimmerli, among others. In addition, he has served as musical director for the Mark Morris Dance Group, and in that capacity has performed with Mikhail Baryshnikov and Yo Yo Ma. In 1998, Iverson's trio released Construction Zone (Originals) and Deconstruction Zone (Standards) in tandem, with the latter being hailed by a New York Times critic as a top-ten pick for that year. A 1999 follow-up, The Minor Passions, featured the famous drummer Billy Hart and was similarly hailed by the Times.
---David R. Adler, All Music Guide |
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