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Clifford Brown * Max Roach
Clifford Brown, Max Roach, George Morrow, Harold Land, Richie Powell
első megjelenés éve: 2010
(2010)

CD
4.941 Ft 

 

IMPORT!
Kosaramba teszem
1.  DeLilah
2.  Parisian Thoroughfare
3.  The Blues Walk
4.  Daahoud
5.  Joy Spring
6.  Jordu
7.  What Am I Here for
8.  The Blues Walk [Alt Take]
9.  Daahoud [Alt Take]
10.  Joy Spring [Alt Take]
11.  Sweet Clifford
12.  Cherokee
Jazz / Bop, Hard Bop

Clifford Brown - Trumpet
Max Roach - Drums (Snare), Drums
George Morrow - Bass
Harold Land - Sax (Tenor)
Richie Powell - Piano

Digitally remastered and expanded edition of this 1954 album including bonus tracks. Contains the complete original classic album Clifford Brown & Max Roach, presenting the great Brown-Roach Quintet with Harold Land on tenor sax. Contains the original versions of some of the best of Brown's compositions ('Joy Spring', 'Daahoud' and 'The Blues Walk') as well as immortal versions of 'Jordu', 'Parisian Thoroughfare' and 'Delilah'. As a bonus, all existing alternate takes from that LP, and two outstanding tunes from the same sessions have been added.


According to the original 1955 liner notes to Clifford Brown and Max Roach, the announcement that Clifford Brown and Max Roach had begun recording and playing together sent shock waves throughout the jazz community and predictions ran rampant about how the two might shape bop to come. The last duo to really shape the music had begun over ten years earlier, with the relationship between Bird and Diz. This recording was early fruit from a tree that would only live as long as Clifford Brown was around to water it (1956, the year of his tragic auto accident). The result is by far some of the warmest and most sincere bebop performed and committed to tape. Brown's tone is undeniably and characteristically warm, and he keeps the heat on alongside Roach's lilting vamps and pummeling solos. What really keeps this record on the orange side of things (other than the decidedly orange cover) is the solo work of saxophonist Harold Land, who plays part Bird and part Benny Goodman. His tone is as delightful as it gets on the sultry "Deliah" and as bop-expressive as it gets on "The Blues Walk" and "Parisian Thoroughfare," where he and Brownie go head to head blowing expressive runs of sheer New York-style jazz. This collection of songs runs a nice gamut between boplicity and pleasant balladry. It represents bop at its best and is recommended for collectors and casual fans alike. [The 2000 Verve reissue includes alternate takes of "The Blues Walk," "Daahoud," and "Joy Spring."] ~ Jack LV Isles, All Music Guide



Clifford Brown

Active Decade: '50s
Born: Oct 30, 1930 in Wilmington, DE
Died: Jun 26, 1956 in Pennsylvania
Genre: Jazz
Styles: Bop, Hard Bop

Clifford Brown's death in a car accident at the age of 25 was one of the great tragedies in jazz history. Already ranking with Dizzy Gillespie and Miles Davis as one of the top trumpeters in jazz, Brownie was still improving in 1956. Plus he was a clean liver and was not even driving; the up-and-coming pianist Richie Powell and his wife (who was driving) also perished in the crash.
Clifford Brown accomplished a great deal in the short time he had. He started on trumpet when he was 15, and by 1948 was playing regularly in Philadelphia. Fats Navarro, who was his main influence, encouraged Brown, as did Charlie Parker and Dizzy Gillespie. After a year at Maryland State University, he was in a serious car accident in June 1950 that put him out of action for a year. In 1952, Brown made his recording debut with Chris Powell's Blue Flames (an R&B group). The following year, he spent some time with Tadd Dameron, and from August to December was with Lionel Hampton's band, touring Europe and leading some recording sessions. In early 1954, he recorded some brilliant solos at Birdland with Art Blakey's quintet (a band that directly preceded the Jazz Messengers) and by mid-year had formed a quintet with Max Roach. Considered one of the premiere hard bop bands, the group lasted until Brown's death, featuring Harold Land (and later Sonny Rollins) on tenor and recording several superb sets for Emarcy. Just hours before his death, Brownie appeared at a Philadelphia jam session that was miraculously recorded, and played some of the finest music of his short life.
Clifford Brown had a fat warm tone, a bop-ish style quite reminiscent of the equally ill-fated Fats Navarro, and a mature improvising approach; he was as inventive on melodic ballads as he was on rapid jams. Amazingly enough, a filmed appearance of him playing two songs in 1955 on a Soupy Sales variety show turned up after being lost for 40 years, the only known footage of the great trumpeter. Fortunately, virtually all of his recordings are currently available, including his Prestige dates (in the OJC series), his work for Blue Note and Pacific Jazz (on a four-CD set), and his many Emarcy sessions (reissued on a magnificent ten-disc set). But the one to pick up first is Columbia's The Beginning and the End, which has Brown's first and last recordings.
---Scott Yanow, All Music Guide

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