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| 1. | Street Scene: Strollin'/Dark Alleys/Love on a Rainy Afternoon/Parade
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| 2. | Street Scene: Dark Alleys
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| 3. | Street Scene: Love on a Rainy Afternoon
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| 4. | Street Scene: Parade
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| 5. | A Sunday Afternoon Feeling
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| 6. | Journey: Journey
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| 7. | Journey: Flight
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| 8. | Forms
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Jazz / Jazz-Funk, Fusion, Contemporary Jazz
Alex Blake Bass
Arif Mardin Arranger, Producer, Piano, Piano (Electric), Percussion
Armen Halburian Percussion
Barnett Brown Trombone
Basil Pao Design, Art Direction
Bernard "Pretty" Purdie Drums
Billy Cobham Drums
Billy Slapin Woodwind
Bob Defrin Art Direction, Design
Bobby Warner Engineer
Chris Callis Photography, Cover Photo
Cornell Dupree Guitar
David "Fathead" Newman Soloist, Sax (Alto)
David Spinozza Guitar
Don Butterfield Tuba
Frank Wess Sax (Alto)
Garnett Brown Trombone
Gary Burton Vibraphone
Gene Orloff Violin
Gene Paul Engineer
George Devens Percussion
George Ricci Cello
Gordon Edwards Bass
Grady Tate Drums
Hubert Laws Flute
Ilhan Mimaroglu Composer
James Buffington French Horn
Jerry Friedman Guitar
Joe Farrell Sax (Soprano), Woodwind, Oboe, Sax (Tenor), Soloist
Kenneth Bichel Piano (Electric), Synthesizer, Arp
Lewis Hahn Engineer
Marvin Stamm Trumpet
Mel Davis Trumpet
Michael Brecker Soloist, Sax (Tenor)
Michal Urbaniak Violin
Milcho Leviev Clarinet, Clavinet
Pat Rebillot Clavinet, Piano (Electric)
Pepper Adams Sax (Baritone)
Phil Bodner Woodwind, Sax (Alto), Oboe
Ralph MacDonald Percussion
Randy Brecker Soloist, Flugelhorn, Trumpet
Richard Tee Piano (Electric)
Romeo Penque Woodwind, Sax (Baritone)
Ron Carter Bass
Seldon Powell Sax (Tenor), Soloist
Todd Sommer Percussion
Tony Levin Bass
Tony Studd Trombone, Trombone (Bass)
Urszula Dudziak Vocals
Arif Mardin is best known as one of the top producers for Atlantic Records, especially in the jazz division. Since he was also a musician, he self-indulged himself by putting out a couple of his own albums. Luckily he was able to enlist the services of a host of jazz luminaries. This album features the likes of Billy Cobham, Gary Burton, Hubert Laws, Ron Carter, Michael Brecker, Randy Brecker, Joe Farrell and the list goes on and on. This marks the worldwide CD debut of this fine album.
Arif Mardin's second solo effort assembles a veritable who's who of funk and jazz greats, but Journey is no ego-stroking vanity project. A richly cinematic fusion suite appointed with all the texture and detail one would expect from a producer of Mardin's stature, it effortlessly melds the street-smart groove of blaxploitation-era soul with the cerebral expansiveness of jazz. Despite a roster of heavy-hitters including vibist Gary Burton, saxophonists Joe Farrell and Seldon Powell, flutist Hubert Laws, pianist Richard Tee, and drummers Steve Gadd and Bernard Purdie, Journey never buckles under the collective weight of its talent -- Mardin's production yields an end result greater than the sum of the music's individual parts, forging a tight, cohesive sound more suggestive of a veteran studio crew than a collection of all-star soloists. ~ Jason Ankeny, All Music Guide
Arif Mardin
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Mar 15, 1932 in Istanbul, Turkey
Died: Jun 26, 2006
Genre: Rock, Jazz
Styles: Contemporary Pop/Rock, Funk, Pop-Soul, Soul
A longtime house producer and arranger with Atlantic Records, the versatile Arif Mardin assisted in the creation of many of the classic pop and jazz recordings of his era, enjoying perhaps his greatest success in collaboration with Aretha Franklin. Born in Istanbul, Turkey, on March 15, 1932, Mardin studied at Istanbul University and the London School of Economics while pursuing music as a hobby. In 1956, however, he met Dizzy Gillespie on the trumpeter's tour of Turkey, and was inspired to take up music as a profession. He won a scholarship to the Berklee College of Music and graduated in 1961, signing on with Atlantic two years later as an assistant to Nesuhi Ertegun. He soon became a studio manager and then a house producer and arranger. Mardin's earliest production duties focused on projects with jazz artists including Sonny Stitt, Freddie Hubbard, Mose Allison, and Eddie Harris, but his stock truly began to rise in the wake of Franklin's 1967 arrival on the label roster. In conjunction with the legendary producer Jerry Wexler and engineer Tom Dowd, Mardin set the stage for the singer's artistic and commercial breakthrough, arranging Franklin's landmark 1967 LP I Never Loved a Man the Way I Love You and its classic single "Respect"; another Franklin watershed, Lady Soul, followed from the same studio team a year later.
He continued a long partnership with the Rascals, overseeing perennial hits like "Good Lovin'" and "Groovin'" and earning the title of the group's unofficial fifth member. In 1969, Mardin worked on the Dusty Springfield masterpiece Dusty in Memphis, and accepted a post as an Atlantic vice president; a year later, he moved on to produce Laura Nyro's Christmas and the Beads of Sweat, and also released his first solo LP, Glass Onion. His collaboration with Franklin continued on as well, yielding superb records like Spirit in the Dark, Young, Gifted & Black, and Amazing Grace. In 1971, Mardin shifted gears entirely to helm folkie John Prine's acclaimed self-titled debut. From there, he went on to work with a tremendous variety of new Atlantic signings, including Hall & Oates, Bette Midler, Roberta Flack, Donny Hathaway, Willie Nelson, and Doug Sahm.
In 1974, Mardin traveled to Miami to produce the Bee Gees, who were at the time struggling to recapture their late-'60s pop success. On the orders of manager Robert Stigwood, Mardin reinvented the group's sound to capture the flavor of American R&B; while his first attempt, Mr. Natural, was not a success, the 1975 follow-up, Main Course, found the Bee Gees pioneering the commercial rise of disco, scoring a number one hit with the single "Jive Talkin'." Mardin's knack for blue-eyed funk also came to the fore through his concurrent work with the Average White Band, most notably the number one hit "Pick Up the Pieces." Albums with Rod Stewart, George Benson, and Carly Simon followed, and in 1980 he also began an extended partnership with Chaka Khan, resulting in her biggest hit, "I Feel for You." Although Mardin's pace slowed in the years to follow, he continued to work with high-profile younger artists like Culture Club and Howard Jones, and also reunited with the likes of the Bee Gees, Hall & Oates, and Roberta Flack. His work with Phil Collins on albums like Face Value and No Jacket Required resulted in his biggest commercial successes of the '80s, and he also helped bring Bette Midler back to the top of the charts with "Wind Beneath My Wings."
Mardin remained active into the '90s, working most often with female solo artists: Midler, Carly Simon, Barbra Streisand, Patti LaBelle, Diana Ross, and Jewel. He also produced the original Broadway cast recordings of the hit musicals Smokey Joe's Cafe: The Songs of Leiber & Stoller and Rent in 1996 and 1997, respectively. In May 2001, amid numerous honors for his longevity and enormous legacy (12 Grammys and counting), Mardin retired as Atlantic's senior vice president. However, he wasn't finished -- he signed on with Manhattan/EMI several months later in several capacities, chief among them signing and producing new artists with adult appeal. His first major success with the label was the jazzy singer/songwriter Norah Jones, whose Blue Note debut album, Come Away with Me, topped the pop charts in early 2003.
In early 2005, Mardin was diagnosed with pancreatic cancer, and began working on a final album that would sum up his life's work as well as introduce some of his unknown compositions to listeners for the first time. The album was nearly complete at the time of his death on June 26, 2006. It was finished by his son, co-producer, and longtime collaborator Joe Mardin. Entitled All My Friends Are Here, it features jazz and pop compositions from throughout the elder Mardin's life, performed by a house band and an all-star lineup of performers including Hall & Oates, Chaka Khan, Norah Jones, Willie Nelson, Carly Simon, David Sanborn, Jon Faddis, Bette Midler, and Dr. John. It was released in 2010 along with the accompanying session documentary DVD, The Greatest Ears in Town, co-directed by Joe Mardin and Doug Biro, All Music Guide |
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