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Jazz Will-o-the-Wisp |
Al Haig |
első megjelenés éve: 2010 76 perc |
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(2010)
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 CD |
4.581 Ft
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1. | Autumn In New York
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2. | Isn't It Romantic ?
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3. | Royal Garden Blues
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4. | Moonlight In Vermont
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5. | On The Alamo
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6. | Body And Soul
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7. | All God's Chillun Got Rhythm
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8. | Gone With The Wind
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9. | They Can't Take That Away From Me
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10. | Don't Blame Me (solo p)
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11. | If I Should Lose You
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12. | April in Paris (solo p)
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13. | My Old Flame (solo p)
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14. | Just One Of Those Things
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15. | Yardbird Suite
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16. | Taboo
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17. | Mighty Like A Rose
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18. | 'S Wonderful
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19. | Just You, Just Me / Spotlite
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20. | The Moon Was Yellow
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21. | 'Round Midnight
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22. | Takin' A Chance On Love
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Jazz
AL HAIG (p), BIL CROW (b), LE ABRAMS (d) New York, March 13, 1954.
[1-13] Originally issued as Jazz Will-O-The-Wisp (Counterpoint LP 551)
[1-8] has previously appeared on a 10' Esoteric LP titled Al Haig Trio (ESJ-7)
[14-21] Originally appeared on the Vogue 10' LP LDE-092, also titled Al Haig Trio
[22] Bonus track: AL HAIG (p), HARRY BABASIN (b), LARRY BUNKER (d). Los Angeles, September 6, 1952. Originally issued on the various artists compilation LP Pianists Galore (Pacific Jazz JWC 506)
This release includes two complete albums by the Al Haig Trio recording during the same productive 1954 studio session with accompaniment by Bill Crow on bass and Lee Abrams on drums. As a bonus, a further trio track by Haig recorded in 1952, which originally appeared on a rare various artists LP complilation.
Note: Tracks 10, 12 & 13 are piano solos by Al Haig
Includes 16-Page Booklet
Digitally remastered two-fer containing a pair of albums from the Jazz great on one CD: Jazz Will -O-The-Wisp and Al Haig Trio (both originally released in 1954). These two complete albums by the Al Haig Trio were recorded during the same productive 1954 studio session with accompaniment by Bill Crow on bass and Lee Abrams on drums. As a bonus we have added a further trio track by Haig recorded in 1952, which originally appeared on a rare various artists LP compilation.
Al Haig
Active Decades: '40s, '50s, '60s and '70s Born: Jul 22, 1922 in Newark, NJ Died: Nov 16, 1982 in New York, NY Genre: Jazz Styles: Bop, Jazz Instrument, Piano Jazz
One of the finest pianists of the bop era (and one who learned from Bud Powell's innovations quite early), Al Haig was quite busy during two periods of his career but unfortunately was pretty obscure in the years between. After serving in the Coast Guard (playing in bands during 1942-1944) and freelancing around Boston, Haig worked steadily with Dizzy Gillespie (1945-1946), Charlie Parker (1948-1950), and Stan Getz (1949-1951); and was on many recordings, mostly as a sideman (including some classic Diz and Bird sessions) but also as a leader for Spotlite, Dawn, and Prestige. However (other than little-known dates in 1954 for Esoteric, Swing, and Period), Haig did not lead any more albums until 1974. He played fairly often during the 1951-1973 period, but was generally overlooked. That changed during his last decade, when he was finally recognized as a bop giant and recorded for Spotlite, Choice, SeaBreeze, Interplay, and several Japanese and European labels. ---Scott Yanow, All Music Guide |
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