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CD BT Kft. internet bolt - CD, zenei DVD, Blu-Ray lemezek: J.A.T.P. in Tokyo - Live at the Nichigeki Theatre 1953[ ÉLŐ ] CD

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J.A.T.P. in Tokyo - Live at the Nichigeki Theatre 1953 [ ÉLŐ ]
Jazz at the Philharmonic
első megjelenés éve: 1953
119 perc
(2007)

2 x CD
Kérjen
árajánlatot!
TÖRÖLT!
Kosaramba teszem
1. CD tartalma:
1.  Tokyo Blues
2.  Cotton Tail
3.  The Nearness of You/Someone to Watch over Me/Flamingo/I Surrender Dear/SW
4.  That Old Black Magic
5.  Tenderly
6.  Up
 
2. CD tartalma:
1.  Sushi Blues
2.  Alone Together
3.  Swingin' Till the Girls Come Home
4.  Indiana (Back Home Again In)
5.  Cocktails for Two
6.  Don't Be That Way
7.  Stompin' at the Savoy
8.  On the Sunny Side of the Street
9.  Body and Soul
10.  Why Don't You Do Right?
11.  Oh, Lady Be Good
12.  I Got It Bad (And That Ain't Good)
13.  How High the Moon
14.  My Funny Valentine
15.  Smooth Sailing
16.  The Frim Fram Sauce
17.  Perdido
Jazz / Bop, Swing

This two-CD set (originally out as three LPs) features the contents of a single Jazz at the Philharmonic concert held in Tokyo. There are mini-sets by the Oscar Peterson Trio, with guitarist Herb Ellis and bassist Ray Brown (which is highlighted by "Tenderly" and "Swingin' Till the Girls Come Home"), and Gene Krupa (in a trio with altoist Benny Carter and Peterson), along with ten numbers that feature Ella Fitgerald (who scats wildly on "Lady Be Good," "How High the Moon," and the closing "Perdido"). But the real reason to get this set is for the Jazz at the Philharmonic All-Stars (trumpeters Roy Eldridge and Charlie Shavers; trombonist Bill Harris; altoists Willie Smith and Benny Carter; tenors Ben Webster and Flip Phillips; the Oscar Peterson Trio; and drummer J.C. Heard) who, in addition to a seven-song ballad medley and a drum feature, stretch out on "Tokyo Blues" and "Cotton Tail." The latter has a witty and explosive trumpet battle by Shavers and Eldridge; Shavers comes out on top. This reissue is highly recommended as a fine example of the excitement of Jazz at the Philharmonic in the mid-'50s. ~ Scott Yanow, All Music Guide



Jazz at the Philharmonic

Active Decades: '40s, '50s, '60s, '70s and '80s
Genre: Jazz
Styles: Bop, Swing, Standards

In 1944, producer Norman Granz organized a concert billed as "Jazz at the Philharmonic" (also JATP) as a fundraiser in Los Angeles. The event, which was recorded, featured Illinois Jacquet, Jack McVea, J.J. Johnson, Shorty Sherock, and a rhythm section with Nat King Cole and Les Paul; Jacquet's playing in particular caused a bit of a sensation. After a few more similar events, Granz in 1946 began organizing extensive annual tours using classic swing and bop musicians in a jam-session setting. Although some critics often complained that these events encouraged grandstanding (R&B honking was getting popular during the era), a great deal of rewarding and exciting music resulted, and Granz recorded (and later released) much of it on his Verve label. He paid his musicians very well and did his best to fight racism every bit of the way. Among JATP's stars through the years were tenors Flip Phillips (whose solo on "Perdido" became famous), Jacquet, Coleman Hawkins, Lester Young, Ben Webster, and Stan Getz; trumpeters Roy Eldridge, Charlie Shavers, Dizzy Gillespie, and Harry "Sweets" Edison; trombonists Bill Harris and Tommy Turk; altoists Charlie Parker, Willie Smith, and Benny Carter; pianists Hank Jones and Oscar Peterson; a variety of bassists (often Ray Brown); and drummers Louie Bellson, Gene Krupa, and Buddy Rich. Ella Fitzgerald started touring with JATP early on, usually having her own separate set and joining in on a finale, and later tours often also included performances by regular groups such as the Oscar Peterson Trio, Gene Krupa's combo, Stuff Smith, or Lester Young. After 1957, the annual tours stopped, although there was an attempt to revive JATP in 1967; and Granz kept the spirit of Jazz at the Philharmonic alive on his many jam session-type records for Pablo in the 1970s.
---Scott Yanow, All Music Guide

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