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"Return to Happiness" - Yoyogi National Stadium, Tokyo, 1983 [ ÉLŐ ] |
Jazz at the Philharmonic |
első megjelenés éve: 1983 146 perc |
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(2007)
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 2 x CD |
7.224 Ft
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1. CD tartalma: |
1. | Sunday
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2. | Undecided
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3. | I Can't Get Started
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4. | God Bless the Child
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5. | Ain't Misbehavin'
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6. | Memories of You
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7. | Emily
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8. | These Foolish Things
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9. | Misty
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10. | What's New?
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11. | Don't Blame Me
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12. | But Beautiful
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13. | My Romance
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14. | When Lights Are Low
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15. | Spotlite
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16. | Peace
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2. CD tartalma: |
1. | Shining Hour
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2. | Mississauga Rattler
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3. | Alice in Wonderland
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4. | City Lights
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5. | Blues
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6. | Manteca
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7. | Willow Weep for Me
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8. | All of Me
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9. | Blue Moon
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10. | Night and Day
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11. | They Can't Take That Away from Me
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12. | Medley: The Man I Love/Body and Soul
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13. | 'Round Midnight
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14. | Flying Home
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Jazz / Bop, Swing
Al Grey Trombone Benny Green Liner Notes Bobby Durham Drums Clark Terry Trumpet Eddie "Lockjaw" Davis Sax (Tenor) Ella Fitzgerald Piano George Belle Remixing George Horn Mastering Harry "Sweets" Edison Trumpet J. Alan Johnson Trombone J.J. Johnson Trombone Jam Session Jazz at the Philharmonic Joe Pass Guitar Keter Betts Bass Louie Bellson Drums Martin Drew Drums, Niels-Henning Orsted Pedersen Bass Norman Granz Layout Design, Producer, Author, Design, Liner Notes, Artwork Oscar Peterson Piano Oscar Peterson Four Paul Smith Piano, Piano Paul Smith Trio Sheldon Marks Design, Artwork, Layout Design Zoot Sims Sax (Tenor)
To commemorate the 30th anniversary of JATP's first visit to Japan, producer Norman Granz put together a new Jazz at the Philharmonic show in 1983. Many of the earlier players were either no longer around or unavailable but Granz was able to gather a pretty strong all-star crew (Harry "Sweets" Edison and Clark Terry on trumpets, Zoot Sims and Eddie "Lockjaw" Davis on tenors, trombonists J.J. Johnson and Al Grey, pianist Oscar Peterson, guitarist Joe Pass, bassist Niels Pedersen and drummer Louie Bellson) for what would be JATP's final tour. This two-CD set starts off with the all-stars jamming on three lengthy tunes. Each of the horns are also showcased on two short ballads apiece (which by itself totals 33 minutes). The Oscar Peterson Quartet and Ella Fitzgerald both have fine mini-sets and the proceedings conclude with Fitzgerald scatting with the horns on "Flying Home." Although the music does not reach the heights of JATP's '50s performances, this is a well-conceived, enjoyable and now somewhat nostalgic set. ~ Scott Yanow, All Music Guide
Jazz at the Philharmonic
Active Decades: '40s, '50s, '60s, '70s and '80s Genre: Jazz Styles: Bop, Swing, Standards
In 1944, producer Norman Granz organized a concert billed as "Jazz at the Philharmonic" (also JATP) as a fundraiser in Los Angeles. The event, which was recorded, featured Illinois Jacquet, Jack McVea, J.J. Johnson, Shorty Sherock, and a rhythm section with Nat King Cole and Les Paul; Jacquet's playing in particular caused a bit of a sensation. After a few more similar events, Granz in 1946 began organizing extensive annual tours using classic swing and bop musicians in a jam-session setting. Although some critics often complained that these events encouraged grandstanding (R&B honking was getting popular during the era), a great deal of rewarding and exciting music resulted, and Granz recorded (and later released) much of it on his Verve label. He paid his musicians very well and did his best to fight racism every bit of the way. Among JATP's stars through the years were tenors Flip Phillips (whose solo on "Perdido" became famous), Jacquet, Coleman Hawkins, Lester Young, Ben Webster, and Stan Getz; trumpeters Roy Eldridge, Charlie Shavers, Dizzy Gillespie, and Harry "Sweets" Edison; trombonists Bill Harris and Tommy Turk; altoists Charlie Parker, Willie Smith, and Benny Carter; pianists Hank Jones and Oscar Peterson; a variety of bassists (often Ray Brown); and drummers Louie Bellson, Gene Krupa, and Buddy Rich. Ella Fitzgerald started touring with JATP early on, usually having her own separate set and joining in on a finale, and later tours often also included performances by regular groups such as the Oscar Peterson Trio, Gene Krupa's combo, Stuff Smith, or Lester Young. After 1957, the annual tours stopped, although there was an attempt to revive JATP in 1967; and Granz kept the spirit of Jazz at the Philharmonic alive on his many jam session-type records for Pablo in the 1970s. ---Scott Yanow, All Music Guide |
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