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CD BT Kft. internet bolt - CD, zenei DVD, Blu-Ray lemezek: Live at the Iridium[ ÉLŐ ] CD

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Live at the Iridium [ ÉLŐ ]
Nobuki Takamen
első megjelenés éve: 2010
58 perc
(2010)

CD
5.061 Ft 

 

IMPORT!
Kosaramba teszem
Jazz

Daniel Traynor Design
Hiroyuki Sanada Assistant Engineer
Hitoshi Kanda Piano
John Lenis Bass
Katsuhiko Naito Mastering, Engineer, Mixing
Nobuki Takamen Guitar, Composer
Tatsuro Nishimura Photography
Yutaka Uchida Drums

"A keen sense of melody and taste." -- Jazz Guitar Life
"A style that ranges from relaxed to fiery." -- Scott Yanow, LA Jazz Scene
"Prodigious technique ... lyrical melodies akin to James Taylor's, which sink into the mind, inviting subconscious lyric-writing from even the most casual listen." -- All About Jazz

* "WHO is playing?" is what you'll ask! With numerous influences but his own distinctive Gibson sound, Nobuki Takamen and his group unleash a roar of original compositions with an incredible chemistry and feel. A great live recording!
* Live at the Iridium is the New York mainstay's third release (but first on Summit), and his first live album.
* Recorded live with Takamen's regular group at Iridium Jazz Club in NYC on July 15, 2009 approximately two weeks after returning from a Canadian tour including the Montreal Jazz Festival 2009, this performance is heart-pumping and electric, with melodic original lines that'll send chills up your spine!


Nobuki Takamen's third CD is his first for a widely distributed label. Like the guitarist's earlier efforts, this disc focuses on his originals, though recorded live at the Iridium. Joining him are three fine musicians: pianist Hitoshi Kanda, bassist John Lenis, and drummer Yutaka Uchida. Takamen's "Strolling in Downtown" is a breezy tune that needs lyrics; his spacious, clean lines likely had people humming its catchy theme on the way out of the club. "14-1" is a hip uptempo bop vehicle with a few Afro-Cuban interludes thrown in. "Smile" is not the old Charlie Chaplin song but a laid-back, hopeful ballad penned by the leader. "One Big Shot" practically explodes with its hard bop energy, while the understated "Union Square Nobels" is a piano-less affair, focusing on the leader's intimate guitar. Takamen is a talented guitarist, though including one or two familiar songs might have helped listeners better assess his abilities. ~ Ken Dryden, Rovi

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