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| 1. | Autumn in New York
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| 2. | Smoke Gets in Your Eyes
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| 3. | If I Loved You
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| 4. | Almost Like Being in Love
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| 5. | Make Believe
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| 6. | Through the Years
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| 7. | Sometimes I'm Happy
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| 8. | In the Still of the Night
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| 9. | Some Enchanted Evening
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| 10. | The Best Things in Life Are Free
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| 11. | Just One of Those Things
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| 12. | Haunted Heart
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| 13. | Alice Blue Gown [*]
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| 14. | Tell Me Why [*]
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| 15. | Let the Rest of the World Go By [*]
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| 16. | Gee, It's Good to Hold You [*]
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| 17. | The Wish That I Wish Tonight [*]
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| 18. | As Long as I Know You're Somewhere [*]
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| 19. | Rockin' Chair [*]
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| 20. | Georgia on My Mind [*]
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| 21. | Dream [*]
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| 22. | Jamboree Jones [*]
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| 23. | Tim-Tayshun (Temptation) [*]
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Jazz / Vocal, Traditional Pop
Anaida Garcia Associate Producer
Ball Composer
Brennan Composer
Brown Composer
Buddy DeSylva Composer
Caesar Composer
Carmichael Composer
Dietz Composer
Duke Composer
Elizabeth Yoon Art Direction, Design
Fisher Composer
Freed Composer
Gold Composer
Grey Composer
Hendereson Composer
Heyman Composer
Hugh Fordin Executive Producer
Jerome Composer
Jerome Kern Composer
Jim Kelly Associate Producer
Jo Stafford Vocals
Lerner Composer
Loewe Composer
McCarthy Composer
Mercer Composer
Oscar Hammerstein II Composer
Otto Harbach Composer
Porter Composer
Richard Rodgers Composer
Roberts Composer
Scholl Composer
Schwartz Composer
Stuart Gorrell Composer
The Alberts Composer
Tierney Composer
Vincent Youmans Composer
Warren Composer
Will Friedwald Reissue Producer, Liner Notes
Here, unquestionably, is Jo Stafford at her best. These 23 truly all-time great songs are performed by Jo Stafford during her years at Capitol Records. Paul Weston's brilliant arrangements highlight Ms Stafford's phrasing and her every subtle nuance of expression.
An early LP for Jo Stafford (and the LP format itself), 1950's Autumn in New York assembled a dozen standards set at ballad tempo and arranged with crying strings by Stafford's primary arranger (and husband), Paul Weston. Most of them were show tunes, some dating back to the '20s, and all seemed tailor-made for Stafford's sweet, pure tone and way with a lovelorn lyric. The title song and "Smoke Gets in Your Eyes" earned pride of place, but there simply wasn't a deficient tune in the bunch -- "Sometimes I'm Happy," "Some Enchanted Evening," "Just One of Those Things" -- and Stafford treated them all with the reverence and devotion they deserve. The LP was released in several formats, including a collection of 78-rpm EPs, while a 2009 reissue by DRG boasted 11 bonus tracks, including a few previously unreleased songs as well as a pair of big hits: "Jamboree Jones" (featuring Johnny Mercer) and "Tim-Tayshun (Temptation)" (Stafford's cornpone sendup of the Bing Crosby standard). ~ John Bush, All Music Guide
Jo Stafford
Active Decades: '30s, '40s, '50s, '60s and '70s
Born: Nov 12, 1917 in Coalinga, CA
Died: Jul 16, 2008 in Century City, CA
Genre: Vocal
Styles: Traditional Pop, Vocal Jazz, Vocal Pop
One of the most technically gifted and popular vocalists of the immediate postwar period, Jo Stafford effortlessly walked the line between breezy pop and the more serious art of post-big-band jazz singing. With the help of her husband, top-flight arranger and Capitol A&R director Paul Weston, Stafford recorded throughout the '40s and '50s for Capitol and Columbia. She also contributed (with Weston) to one of the best pop novelty acts of the period, a hilariously inept and off-key satire that saw the couple billed as Jonathan & Darlene Edwards.
Born near Fresno, CA, Stafford sang from an early age and was classically trained, though she later joined her sisters in a country-tinged act (associated for a time with Joe "Country" Washburne). At the age of just 17, she became the first female voice in the seven-man vocal act known as the Pied Pipers. Soon after the group joined the Tommy Dorsey Orchestra in 1939, however, it was pruned to a quartet (which also included Stafford's first husband, co-founder John Huddleston). The group appeared on several of the Dorsey band's hits of the early '40s, a few of which paired them with Frank Sinatra. Stafford gained her first solo spots on a pair of Dorsey band hits, "Yes, Indeed!" and "Manhattan Serenade." She finally left the Pied Pipers for a solo contract in 1944 (she was replaced by June Hutton), though the group provided backup for many of her initial solo hits.
Not only signed to Capitol but able to preview hit songs as the co-host of label founder Johnny Mercer's radio program, Stafford hit the charts with the mid-'40s songs "Long Ago (And Far Away)," "I Love You," and "Candy." The latter, a duet with Mercer and the Pied Pipers, became her first number one. In 1948, her duet with Gordon MacRae on "My Darling, My Darling" became her second. She later moved to Columbia and recorded the two biggest hits of her career, 1952's "You Belong to Me" and 1954's "Make Love to Me." Stafford gained her own television program during the mid-'50s, and also recorded the first LP by Jonathan & Darlene Edwards, American Popular Songs. (It wasn't the first time Stafford had used a pseudonym, however; in 1947, she billed herself as Cinderella G. Stump to record a cover of the cornpone single "Temptation [Tim-Tay-Shun].") Though she slipped from the charts in the late '50s and retired from performance, Stafford continued to record for many years and issued the LP Getting Sentimental Over Tommy Dorsey on Reprise in 1963. She also founded Corinthian Records, with Weston, to reissue the couple's various recordings.
---John Bush, All Music Guide |
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