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1. | Wings over Water, Pt. 1: 5 Acoustic Guitars, Nay
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2. | Wings over Water, Pt. 2: Sarangi, Voice, 6 Flowerpots
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3. | Wings over Water, Pt. 3: 2 Spanish Guitars, 9 Flowerpots
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4. | Wings over Water, Pt. 4: Nay Solo
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5. | Wings over Water, Pt. 5: 22 Flowerpots, Nay
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6. | Wings over Water, Pt. 6: 3 Spanish Guitars, 4 Bavarian Zithers, Suling
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Jazz / Electronica, Neo-Classical, Ethnic Fusion, Ambient, Minimalism
Recorded January and October 1981
Stephan Micus acoustic guitar, nay, sarangi, voice, flowerpots, spanish guitar, Bavarian zither, suling
Wings Over Water is a set of acoustic ambient creativity from Stephan Micus, a master sound designer. He uses a ney flute, Spanish guitars, Bavarian zithers, acoustic guitars, a sarangi, voice, and 22 flowerpots. This is very exotic and esoteric music. Micus takes advantage of the natural timbres and textures of these devices and creates a different kind of ambience. It is definitely not mainstream, decidedly avant-garde, and highly essential for the adventurous music lover. It is in a class by itself. ~ Jim Brenholts, All Music Guide
Stephan Micus
Active Decades: '70s, '80s, '90s and '00s Born: Jan 19, 1953 in Stuttgart, Germany Genre: Nuage Styles: Ambient, Ethnic Fusion, Experimental, Minimalism, Neo-Classical
The respected German composer and multi-instrumentalist Stephan Micus made his first journey to the Orient at the age of 16. He has since traveled around the world. He spent extensive periods of time studying ancient musical techniques in India and Japan and collected a number of ethnic instruments previously unknown in the West. His recordings for the ECM label are essentially solo efforts in which the illusion of an ensemble is created by the composer's extensive overdubs. Micus' intention is not to play these instruments according to tradition, but to combine modes of expression from around the world in exciting new ways. Though he sometimes creates sounds you'd swear were the result of electronic keyboards, Micus is an acoustic purist who often develops unconventional performance techniques on ethnic instruments. He released Garden of Mirrors in mid-2000, with Desert Poems and Koan both following a year later. Micus continued to stay busy, releasing Towards the Wind in 2002, Life in 2004, and On the Wing in 2006, all of which kept his multicultural and multi-instrumental style intact. ---Linda Kohanov, All Music Guide |
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