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| 4.941 Ft
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| 1. | Little Dex
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| 2. | Up Jumped Spring
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| 3. | Comencia
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| 4. | Gala
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| 5. | I Thought About You
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| 6. | Nasty Green
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| 7. | Wide Stance
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| 8. | Dream On
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| 9. | Love For Sale
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Jazz
Recorded: November 19, 2009, REED RUDDY at Studio X, Seattle, WA
Hadley Caliman tenor
Pete Christlieb tenor
Bill Anschell piano
Chuck Deardorf bass
John Bishop drums
Produced by JOHN BISHOP
Assistant engineer: Sam Hofstedt
Mixed by REED RUDDY at Robert Lang Studio, Richmond Beach, WA
Mastered by MARK GUENTHER, Seattle Disc Mastering
Photographs by JIM LEVITT
Cover design & layout by JOHN BISHOP
First meeting in the clubs of Los Angeles' Central Avenue in the early '60s, and following separate but superlative careers, the two tenor legends reunited in the fall of 2009 to perform a couple of concerts and record this album, taking up where they left off close to 40 years ago. With original music by pianist Bill Anschell and the two headliners along with a rousing version of "Love For Sale," and a singular exploration of "I Thought About You" by Hadley, the band creates a warm and swinging recording, a great document of two longtime friends and icons of American music.
Hadley Caliman
Active Decade: '70s
Born: 1932
Genre: Jazz
Styles: Neo-Bop, Post-Bop, Jazz Instrument, Trombone Jazz
West Coast saxophonist and flutist best known for his rousing solos on Santana's Caravanserai release. He has also contributed to other dates by Todd Cochran and other fusion/jazz-rock/rock players. He's also issued a few albums of varying distinction. ~ Ron Wynn, All Music Guide
Pete Christlieb
Active Decades: '70s, '80s, '90s and '00s
Born: Feb 16, 1945 in Los Angeles, CA
Genre: Jazz
Styles: Bop, Hard Bop, West Coast Jazz, Jazz Instrument, Saxophone Jazz
Pete Christlieb is probably one the world's most famous anonymous tenor saxophonists. For years, he played jazz tenor in Doc Severinsen's Tonight Show big band. His big, beefy sound and aggressive solos were heard mostly in brief snippets as the show came out of commercials, unfortunately denying the American public a chance to hear a very fine saxophonist improvise at length. Though he's done good work elsewhere, Christlieb's biggest claim to fame away from Severinsen and Carson is a Warner Brothers album he recorded in 1978 with fellow tenorist Warne Marsh. Apogee is one of the most compelling straight-ahead jazz albums of the '70s. Christlieb's cocky, rhythmically assured style contrasts effectively with Marsh's looser, more querulous manner. The record's overall air of curious abandon foretold (somewhat wrongly, as it turned out) a bright future for mainstream acoustic jazz in the coming decade.
Christlieb was born into a musical family. He began playing the violin at seven, and tenor sax at 13. After playing with a variety of L.A.-based bands in the early '60s, including those led by Chet Baker, Woody Herman, and Sy Zentner, Christlieb joined drummer Louis Bellson's band in 1967, with which he would continue to play into the '80s. His first record as leader was the deleted Jazz City, an LP released in 1971. The tenorist started his own label, Bosco Records, in 1981; Bosco would issue small-group albums by Christlieb, as well records by Bellson and Bob Florence. Christlieb has long been in demand as a studio player; he's played innumerable sessions of every type. Other prominent jazz figures with whom he's played include Count Basie, Benny Goodman, Quincy Jones, and Sarah Vaughan.
---Chris Kelsey, All Music Guide |
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