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Kérjen
árajánlatot! |
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| 1. | Feel Like Making Love
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| 2. | Inside Love (So Personal)
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| 3. | Lady Love Me (One More Time)
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| 4. | Love Will Come Again
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| 5. | In Your Eyes
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| 6. | Never Too Far to Fall
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| 7. | Being with You
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| 8. | Use Me
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| 9. | Late at Night
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| 10. | In Search of a Dream
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Jazz
Recorded at Atlantic Studios, New York, and Music Grinder Studios, Los Angeles, California
George Benson (vocals, guitar)
David Sanborn (alto saxophone); Chaka Khan, Lani Groves (background vocals); Michael Brecker, Randy Brecker, Jon Faddis, Paul Jackson, Jr., David Spinozza, Gus Falcon, Ira Siegel, Alan Raph, Lew Delgatto, Tom Malone, Harry Lookofsky, Jonathan Abramowitz, Maximoff, Emanuel Vardi, Harold Kohon, Marilyn Wright, Joe Malin, Fred Buldrini, Richard Young, Gerald Tarack, Guy Lumia, Jerry Hey, David Paich, James Newton-Howard, Pete Cannarozzi, Steve Porcaro, Greg Phillinganes, Nathan East, Will Lee, Anthony Jackson, Marcus Miller, Steve Jordan, Steve Ferrone, Leslie Ming, Carlos Vega, Steve Gadd, Lenny Castro, Sammy Figueroa, Bashiri Johnson
Engineers: Michael O'Reilly, Gary Skardina, Jeremy Smith.
IN YOUR EYES, produced by one-time Atlantic Records ace producer Arif Mardin, features the strong vocals that awarded Benson much success in the late '70's. Benson's takes on period hits such as "Lady Love Me (One More Time)," "In Your Eyes," "Feel Like Makin' Love," "Use Me," and "Love Will Come Again" are included in this mix of ten R&B love songs.
Jazz fans will have to wait out the album's vocals in order to get to the George Benson they love; he comes through with the guitar licks on the instrumental track "In Search of a Dream." While heavy on the synthesized rhythm tracks and pre-programmed back beats, IN YOUR EYES does manage to succeed as a romantic pop/instrumental album, reminiscent of some of Bob James' recordings from the same period.
In search of more platinum, Benson turned to one-time Atlantic Records ace producer Arif Mardin for support. Yet Mardin's best days seemed to be behind him, as this mostly routine package of period R&B backbeats, synthesizer rhythm tracks, and love songs indicates. Any competent soul vocalist could have fit in comfortably here. For jazz fans, Benson's albums at this point became a search for buried treasure, for his guitar time was extremely limited. But when you do encounter a Benson solo, hang on tight. "Love Will Come Again," otherwise a routine soul bumper, concludes with a magnificent solo in octaves that Wes Montgomery would have envied, breathtaking in its economy and swing. Also, check out the instrumental "In Search of a Dream" for proof that George Benson could still burn.
---Richard S. Ginell, All Music Guide |
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