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| 6.525 Ft
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| 1. | Metalix IV Prelude
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| 2. | Wondering & Wandering
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| 3. | (Another) Lost Creek
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| 4. | Still
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| 5. | (Still) Lingering
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| 6. | Glass Stairs
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| 7. | Metalix
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| 8. | Metalix Abstract
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| 9. | Dream Nocturne
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| 10. | Ghost Clusters
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| 11. | Lonely Interlude
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| 12. | Flowers for Mary Jane
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| 13. | TD Vibe Intro
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| 14. | Time Design
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| 15. | Wondering & Wandering Reprise
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| 16. | Metalix Deja Vu
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Jazz / Post-Bop, Contemporary Jazz
Matthias Lupri - vibes, electronics, compositions
Myron Walden - bass clar., soprano sax, alto sax
Donny McCaslin - alto flute, tenor sax, soprano
Nate Radley - guitar, electronics
Thomson Kneeland - acoustic bass, electronics
Jordan Perlson - drums, percussion
View Metalix liner notes
"Matthias Lupri…plays fast, loose and at the top of his game." -DOWNBEAT
Lupri's CDs have all charted in the Top 40 of the jazz charts, he was voted a Rising Star in the Down Beat Critic's Poll and his music was featured on hit TV show Alias! With Myron Walden (Brian Blade, Freddie Hubbard) and Grammy-nominated Donny McCaslin, Metalix was recorded after a Canadian jazz festival tour.
Matthias Lupri
Active Decades: '90s and '00s
Genre: Jazz
Styles: Post-Bop, Contemporary Jazz, Jazz Instrument, Vibraphone/Marimba Jazz
Acclaimed jazz vibraphonist Matthias Lupri was born in Germany, but grew up in both Kansas and Alberta, Canada. He discovered music as a teenager, learning the drums and playing in a variety of bands -- playing blues, rock, and country, among other styles. While studying music in college, Lupri became intrigued with jazz vibraphone, after coming across a recording by Gary Burton. Even though he was playing in rock bands at the time, Lupri would find time to practice the vibraphone each and every day, eventually enrolling at the renowned Berklee College of Music in Boston, to study with none other than his mentor, Burton. 1998 saw the release of Lupri's debut recording, Window Up Window Down (on the Chartmaker label), which charted in the Gavin Top 40 and the Top 15 of CMJ's Jazz Charts, subsequently supporting the release with gigs at the Boston MIX Festival at Foxboro Stadium and the Knitting Factories in N.Y.C., Toronto, and Montreal. Lupri's sophomore release, Shadow of the Vibe, was issued a year later, but it only really served as a showcase for his budding talents which would burst free on the next record. Same Time Twice was far more innovative and pleased fans and critics alike.
---Greg Prato, All Music Guide |
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