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CD BT Kft. internet bolt - CD, zenei DVD, Blu-Ray lemezek: Natural Selection CD

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Natural Selection
Rez Abbasi Acoustic Quartet, Rez Abbasi
első megjelenés éve: 2010
(2010)   [ DIGIPACK ]

CD
5.180 Ft 

 

IMPORT!
Kosaramba teszem
1.  Lament
2.  Pakistani Minor
3.  Personal Mountains
4.  Up On The Hill
5.  When Light Falls
6.  Bees
7.  Blu Vindaloo
8.  New Aesthetic
9.  Punjab
10.  Ain't No Sunshine
Jazz

Rez Abbasi - guitar - acoustic
Bill Ware - vibraphone
Stephan Crump - acoustic bass
Eric McPherson - drums

Talented guitarist and composer Abbasi has taken a new approach to his music. On his new Sunnyside CD, Natural Selection, he has ditched his electric guitar and convened the Rez Abbasi Acoustic Quartet, a new ensemble made up of entirely acoustic instrumentalists. RAAQ features the talents of vibraphonist Bill Ware, bassist Stephan Crump, and drummer Eric McPherson on the leader's adventurous compositions and some thoughtful covers.



Rez Abbasi

Active Decades: '90s and '00s
Born: Aug 27, 1965 in Karachi, Pakistan
Genre: Jazz
Styles: World Fusion, Fusion, Post-Bop, Hard Bop, Modal Music, Progressive Jazz, Indian Classical, Indian Subcontinent Traditions, Jazz Instrument, Guitar Jazz

A flexible guitarist Abbasi who plays mostly fusion but can also handle post-bop, hard bop and standards, Rez Abbasi showed a lot of promise playing around New York in the 1990s. The improviser was born in Karachi, Pakistan and lived there as a baby; he was only three when his parents moved to Los Angeles, where he was raised. Abbasi, who grew up speaking English as his primary language and doesn't speak with even a trace of a Middle Eastern accent, was 22 when he moved to New York in 1987. Abbasi considers Jim Hall his earliest influence on guitar, and Pat Metheny influenced both his playing and writing when he recorded his first album, Third Ear, in 1991-1992. However, Metheny became less of an influence on Abbasi as the 1990s progressed. The mid- to late-'90s found Abbasi (who is also influenced by Bill Frisell) continuing to do a lot of writing and playing his share of Manhattan club dates, while paying the bills with "day gigs" as a music teacher; he recorded Modern Memory in 1996.
--- Alex Henderson, All Music Guide

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