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All Time Greatest Performances
Kay Starr
első megjelenés éve: 2010
(2010)

CD
4.221 Ft 

 

IMPORT!
Kosaramba teszem
1.  Honeysuckle Rose
2.  What a Difference a Day Makes
3.  There's a Lull In My Life
4.  Ain't Misbehavin'
5.  My Future Just Passed
6.  You're Always There
7.  The Best Things In Life Are Free
8.  Pretty Baby
9.  Please Love Me
10.  I Only Have Eyes For You
11.  Leave Me a Memory or Two
12.  I've Got My Love To Keep Me Warm
13.  It Happens Every Spring
14.  Maybe You'll Be There
15.  It's a Good Day
16.  What Can I Say After I Say I'm Sorry
Jazz / Vocal

Kay Starr

Active Decades: '30s, '40s, '50s, '60s, '70s, '80s and '90s
Born: Jul 21, 1922 in Dougherty, OK
Genre: Vocal
Styles: Swing, Vocal Pop, Standards, Traditional Pop, Vocal Jazz

A solid jazz singer whose early recordings tended to be forgotten after her ascendancy into the commercial sphere during the mid-'50s, K. Starr was among the first pop singer to capitalize on the "rock fad" with her 1955 novelty "Rock and Roll Waltz." Her biggest hit came with the era-defining "Wheel of Fortune," a prime slice of '50s adult pop with a suitably brassy reading. Born in Oklahoma, she moved to Dallas at a young age and made her debut on radio while still in school. A brief stay with Glenn Miller & His Orchestra precipitated her working with groups led by Bob Crosby, Joe Venuti and finally Charlie Barnet. She recorded a few numbers with Barnet that earned her a solo contract with Capitol.
By 1948, Starr made her Your Hit Parade breakthrough with "You Were Only Foolin' (While I Was Falling in Love)." Subsequent hits like "Hoop-Dee-Doo," "Oh, Babe!" and "I'll Never Be Free" (the latter with Tennessee Ernie Ford) framed her in an emerging vein of the popular market that also looked back to traditional country and folk. In 1952, "Wheel of Fortune" became her biggest hit and one of the signature songs of the '50s pop sound. She struggled to reach a similar chart peak for several years afterwards, though "Comes A-Long A-Love" topped the British charts. With her move to RCA in 1955, though the comical "Rock and Roll Waltz" spent several weeks at number one. It was her last major hit, followed by just one additional Top Ten entry, 1957's "My Heart Reminds Me." By the 1960s, she had begun to concentrate more on performing (especially in Las Vegas) than recording, despite moving back to Capitol in 1961. In the '90s, she played several oldies packages, including the 3 Girls 3 tour with Helen O'Connell and Margaret Whiting.
---John Bush, Rovi

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