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5.745 Ft
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1. | Going Far
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2. | Hip Skip
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3. | Hittin' On 6
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4. | Open Fire [Live]
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5. | Tony
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6. | Eris
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7. | Coming Back Home
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8. | Morgan's Motion
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Jazz
A. Scott Galloway - Liner Notes Barry Rogers - Trombone Bill Lacey - Digital Remastering Bobby Holland - Original Photography Brian Auger - Hammond B3 Bruce Steinberg - Images Cecil Taylor - Composer, Guest Appearance Chris Eselgroth - Package Redesign Dana Bryant - Quotation Author David Sanborn - Sax (Alto) Don Puluse - Engineer Edgar Winter - Composer Fred Catero - Engineer Gene Kraut - Original Photography George Benson - Composer, Guest Appearance, Guitar George Marino - Original Mastering Herbie Hancock - Fender Rhodes, Guest Appearance, Mini Moog, Oberheim, Piano, Prophet 5 Ian Hammer - Guest Appearance Jack Malken - Engineer, Mixing Jan Hammer - Composer, Engineer, Fender Rhodes, Mini Moog, Moog Synthesizer, Oberheim, Polymoog Jon Faddis - Trumpet Ken Robertson - Assistant Engineer Leslie Ann Jones - Assistant Engineer Mario Cipollina - Bass (Electric) Max Roach - Quotation Author Michael Barry - Assistant Engineer Michael Brecker - Sax (Tenor) Paul Jackson - Bass (Electric) Paul Williams - Reissue Supervisor Ralph MacDonald - Percussion Randy Brecker - Trumpet Ronnie Cuber - Sax (Baritone) Ronnie Montrose - Composer, Guest Appearance, Guitar Stanley Clarke - Bass (Electric), Composer, Guest Appearance Steve Carver - Cover Art Tetsuro Tomita - Assistant Engineer The Tony Williams Lifetime - Drums, Mixing, Producer Tom Scott - Composer, Lyricon Tom Suzuki - Engineer Tony Lane - Design Vic Anesini - Analog Transfer William Eaton - Horn Arrangements
Long anticipated reissue of T. Williams' classic fusion album, originally released in 1979. Remastered in 24 bit from the original analog masters, it features such jazz luminaries as Herbie Hancock, Tom Scott, Stanley Clarke, Cecil Taylor, George Benson, Jan Hammer, Brian Auger, Ronnie Montrose and Michael Brecker. Many of these musicians were interviewed by liner note writer Scott Galloway for his in-depth essay.
It would be an understatement to say that there was a fair amount of variety on this set. Drummer T. Williams is heard in two duets with keyboardist Jan Hammer, with a quartet also including keyboardist Herbie Hancock, Tom Scott (who unfortunately sticks to lyricon) and bassist Stanley Clarke, and he welcomes rock guitarist Ronnie Montrose, keyboardist Brian Auger, guitarist George Benson, Hammer and tenorman Michael Brecker on other tracks. Much of this music is closer to R&B than to jazz, although there are many strong moments. But the most interesting selection is certainly "Morgan's Motion" which matches Williams with pianist Cecil Taylor in a powerful (and completely atonal) collaboration. ---Scott Yanow, Rovi |
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