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Kérjen
árajánlatot! |
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| 1. | Relaxin' At Camarillo
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| 2. | Chelsea Bridge [take 3 master]
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| 3. | Eclypso
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| 4. | Beat's Up
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| 5. | Skal Brothers
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| 6. | Little Rock
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| 7. | Verdandi [take 1 master]
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| 8. | Delarna [take 3 master]
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| 9. | Willow Weep For Me [take 2 master]
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| 10. | Chelsea Bridge [take 1 alternate]
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| 11. | Chelsea Bridge [take 2 alternate]
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| 12. | Verdandi [take 2 alternate]
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| 13. | Delarna [take 1 alternate]
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| 14. | Delarna [take 2 alternate]
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| 15. | Willow Weep For Me [take 1 alternate]
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| 16. | So Sorry Please *
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| 17. | How Long Has This Been Going On? *
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Jazz
Recorded: August 15, 1957, Stockholm, Sweden
Tommy Flanagan piano
Wilbur Little bass
Elvin Jones drums
Bonus tracks (1957) :
Same personnel as above on one track; on other:
Tommy Flanagan (p), Doug Watkins (b), Louis Hayes (d)
2010 archive release containing all of the music recorded by T. Flanagan during his first session as a leader, fronting an all-star trio with Wilbur Little and Elvin Jones. The session, recorded in Sweden in 1957, was first issued on the local label Metronome and later appeared on Prestige as Overseas. These seminal recordings were made while Flanagan, Little, and Jones were touring Europe as part of the J.J. Johnson Quartet. All existing alternate takes have been added to the nine masters from the session. As a bonus, we have added the only trio tracks from two quartet albums with Flanagan, one of which presents the same trio featured on Overseas. All previous editions of this session presented three apparent alternate takes, which were actually exact copies of the master takes. All of the six alternate takes included here have been carefully examined and are clearly different from the masters.
17 tracks (including 6 alternate takes & 2 bonus) - plus 16-page booklet.
Tommy Flanagan
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Mar 16, 1930 in Detroit, MI
Died: Nov 16, 2001 in New York, NY
Genre: Jazz
Styles: Bop, Hard Bop, Mainstream Jazz, Jazz Instrument, Piano Jazz
Known for his flawless & tasteful playing, Tommy Flanagan received long overdue recognition for his talents in the 1980s. He played clarinet when he was six and switched to piano five years later. Flanagan was an important part of the fertile Detroit jazz scene (other than 1951-1953 when he was in the Army) until he moved to New York in 1956. He was used for many recordings after his arrival during that era; cut sessions as a leader for New Jazz, Prestige, Savoy, and Moodsville; and worked regularly with Oscar Pettiford, J.J. Johnson (1956-1958), Harry "Sweets" Edison (1959-1960), and Coleman Hawkins (1961). Flanagan was Ella Fitzgerald's regular accompanist during 1963-1965 and 1968-1978, which resulted in him being underrated as a soloist. However, starting in 1975, he began leading a series of superior record sessions and since leaving Fitzgerald, Flanagan has been in demand as the head of his own trio, consistently admired for his swinging and creative bop-based style. Among the many labels he has recorded for since 1975 are Pablo, Enja, Denon, Galaxy, Progressive, Uptown, Timeless, and several European and Japanese companies. For Blue Note, he cut Sunset and Mockingbird in 1998, followed a year later by Samba for Felix. Despite a heart condition, Flanagan continued performing until the end of his life, performing two-week stints at the Village Vanguard twice a year, recording and touring. He died on November 16, 2001, in Manhattan from an arterial aneurysm.
---Scott Yanow, Rovi |
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