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| Don Elliot Octet & Sextette Play Jamaica Jazz and Musical Offering |
| Don Elliott |
spanyol
első megjelenés éve: 2010
69 perc |
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| (2010)
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CD |
| 5.131 Ft
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| 1. | Push de Button
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| 2. | Cocoanut Sweet
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| 3. | Little Biscuit
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| 4. | Savanna
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| 5. | Pretty to Walk With
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| 6. | Ain't It the Truth?
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| 7. | Napoleon
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| 8. | What Good Does It Do?
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| 9. | Soon
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| 10. | Catana
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| 11. | Rough Ridin'
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| 12. | Straits of McClellan
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| 13. | Cry Me a River
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| 14. | It's You or No One
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| 15. | Our Love
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| 16. | Jazz Me Blues
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| 17. | Azure Te'
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| 18. | Miss Wiss-Key
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| 19. | Mood Indigo
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| 20. | Don't You Know I Care
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Jazz
Tracks #1-8 from the 12" LP
"Jamaica Jazz" (ABC Paramount ABC-228)
Recorded in New York City, November 26 & December 23, 1957
Don Elliott Octet - Arrangements by Gil Evans
Tracks #2, 3 & 8: Don Elliott (tp, mellophone, marimba & vibes), Frank Rehak (tb), Jimmy Buffington, Willie Ruff (frh), Hal McKusick (fl, as, b-cl), Dave Kurtzer (basson), Paul Chambers (b), Art Taylor (d), Candido Camero (conga).
Tracks #1, 4, 5, 6 & 7: Don Elliott (tp, mellophone, marimba & bongos), Don Ashworth, Phil Bodner, Romeo Penque (fl, oboe, egh), Al Klink (b-cl, ts), Barry Galbraith (g), Ernie Furtado (b), Art Taylor (d), Candido Camero (conga #4 & 6).
Tracks #9-20 from the 12" LP
"A Musical Offering" (ABC Paramount ABC-106)
Recorded in Newark, NJ, June 29 & 30, 1956
Don Elliott Sextette - Arrangements by Quincy Jones
Don Elliott (mellophone & vibes), Herbie Mann (fl, ts), Al Cohn (bs), replaced by Sol Schlinger on #10, 11, 17, 18, 20, Joe Puma (g), Vinnie Burke (b), Osie Johnson (d)
Although this is probably not what Harold Arlen had in mind when he wrote the music for his Broadway hit Jamaica, the astounding arrangements Gil Evans did in '57 for the octet of multi-instrumentalist Don Elliott, are a welcome surprise. His unique jazz approach and the solo talents of Elliott on trumpet, mellophone, vibraphone, marimba and bongos breathe new life into a classic. All the musicians involved perform superbly, with Candido giving excellent support on conga, but the real glory belongs to Evans, whose kaleidoscopic arrangements dominate the album.
About A Musical Offering, recorded the previous year with a sextet, D. Elliott said he was searching for "the sound of beautiful simplicity." With that in mind, he had commissioned a young and skilled arranger, Quincy Jones, to write clear-cut, modern arrangements for twelve tunes that, in Quincy's own words, were "without the complexity of 'Bird' and without the dissonance of Kenton. Polite, nonchalant pleasing music. You may call them 'daylight arrangements'." They all feature fine soloing by great jazzmen.
Original recordings produced by Creed Taylor.
Engineered by Irv Greenbaum (1-8), and Rudy Van Gelder (9-20).
This CD compilation produced by Jordi Pujol.
24-Bit Digitally Remastered |
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