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| The Clarke / Duke Project Volumes I, II & III (2CD) |
| Stanley Clarke |
| első megjelenés éve: 2010 |
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2 x CD |
Kérjen
árajánlatot! |
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| 1. CD tartalma: |
| 1. | Wild Dog
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| 2. | Louie, Louie
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| 3. | Sweet Baby
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| 4. | I Just Want To Love You
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| 5. | Never Judge A Cover By Its Book
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| 6. | Let&
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| 7. | Winners
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| 8. | Touch And Go
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| 9. | Finding My Way
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| 10. | Put It On The Line
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| 11. | Heroes
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| 12. | Try Me Baby
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| 13. | Every Reason To Smile
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| 14. | Great Danes
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| 15. | The Good Times
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| 16. | You&
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| 17. | Trip You In Love
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| 18. | Atlanta
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| 2. CD tartalma: |
| 1. | Pit Bulls (An Endangered Species)
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| 2. | Oh Oh
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| 3. | No Place To Hide
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| 4. | Somebody Else
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| 5. | Mothership Connection
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| 6. | Right By My Side
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| 7. | From The Deepest Corner Of My Heart
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| 8. | Lady
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| 9. | Find Out Who You Are
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| 10. | Quiet Time
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| 11. | Finger Prints
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| 12. | Always
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Disc 1:
Tracks 1-9: Volumes I
Tracks 10-18: Volumes II
The three albums were released between 1981 and 1990 and were a Funk project for bassist Stanley Clarke and keyboard player George Duke
'Sweet Baby' from the first album was a US Top 20 single hit
The first two albums made the US Top 100 charts
Digitally remastered, slipcased and with new notes
Stanley Clarke
Active Decades: '70s, '80s, '90s and '00s
Born: Jun 30, 1951 in Philadelphia, PA
Genre: Jazz
Styles: Funk, Jazz-Funk, Fusion, Post-Bop, Contemporary Jazz, Crossover Jazz
A brilliant player on both acoustic and electric basses, Stanley Clarke has spent much of his career outside of jazz, although he has the ability to play jazz with the very best. He played accordion as a youth, switching to violin and cello before settling on bass. He worked with R&B and rock bands in high school, but after moving to New York, he worked with Pharoah Sanders in the early '70s. Other early gigs were with Gil Evans, Mel Lewis, Horace Silver, Stan Getz, Dexter Gordon, and Art Blakey; everyone was impressed by his talents. However, Clarke really hit the big time when he started teaming up with Chick Corea in Return to Forever. When the group became a rock-oriented fusion quartet, Clarke mostly emphasized electric bass and became an influential force, preceding Jaco Pastorius. But, starting with his School Days album (1976), and continuing through his funk group with George Duke (the Clarke/Duke Project), up to his projects writing movie scores, Stanley Clarke largely moved beyond the jazz world into commercial music; his 1988 Portrait album If This Bass Could Only Talk, and his 1995 collaboration with Jean Luc Ponty and Al DiMeola on the acoustic The Rite of Strings, are two of his few jazz recordings since the '70s.
--- Scott Yanow, All Music Guide |
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