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| John Wayne and John Ford - Western Classics |
VÁLOGATÁS
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| első megjelenés éve: 2015 |
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CD |
| 3.873 Ft
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| 1. | Cyril Mockridge The Man Who Shot Liberty Valance &
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| 2. | The Fairmount Singers Liberty Valance (The Man Who Shot)
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| 3. | George Duning Two Rode Together &
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| 4. | Leopold Stokowski On The Beautiful Blue Danube
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| 5. | Lonnie Donegan The Comancheros
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| 6. | Alfred Newman Overture (I&
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| 7. | Alfred Newman Main Title &
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| 8. | Alfred Newman Bereavement And Fulfillment
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| 9. | Alfred Newman The River Pirates
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| 10. | Debbie Reynolds Home In The Meadow
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| 11. | Alfred Newman Cleve And The Mule
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| 12. | Debbie Reynolds Raise A Ruckus Tonight
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| 13. | Alfred Newman Come Share My Life
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| 14. | Alfred Newman The Marriage Proposal (Greensleeves)
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| 15. | Alfred Newman Entr&
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| 16. | Alfred Newman Cheyennes
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| 17. | The Ken Darby Singers He&
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| 18. | Alfred Newman Climb A Higher Hill
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| 19. | Debbie Reynolds What Was Your Name In The States?
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| 20. | Alfred Newman No Goodbye
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| 21. | The Ken Darby Singers Finale &
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| 22. | Frank De Vol Main Title & Katherine Theme
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| 23. | Frank De Vol Hurry Up Hoedown
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| 24. | Frank De Vol The Other Woman
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| 25. | Frank De Vol Rowdayoh
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| 26. | Frank De Vol Run Katie Run
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| 27. | Patrick Wayne, Stefanie Powers, Jerry Van Dyke Mclintock&
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| 28. | Frank De Vol The Young
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| 29. | Frank De Vol The Lover&
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| 30. | Frank De Vol Just Right For Me
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| 31. | Frank De Vol Red Garters
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| 32. | Frank De Vol The Cakewalk
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| 33. | John Wayne Katie With The Light Red Hair
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Tracks 1 & 2: The Man Who Shot Liberty Valance
tracks 3 & 4: Two Rode Together
track 5: The Comancheros
track 6-21 : How The West Was Won
tracks 22-33: McLintock!
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John Ford and John Wayne are undisputed giants of the western movie genre. One, America’s most eloquent director, the other a vastly popular but often underrated actor described by one of his biographers as “the greatest of all works of art.”. Among the films they completed together were such eternal masterpieces as The Searchers, The Quiet Man, and the cavalry trilogy; Fort Apache, She Wore A Yellow Ribbon and The Rio Grande.
“I’d like to get up on housetops and shout about what I owe to John Ford,” said Wayne, ‘I simply owe him every mouthful I eat, every dollar I’ve got and practically every happiness I know, that’s all.’
Wayne repaid Ford several times over, with a succession of indelible performances that for many defined the Wild West and which will always retain their power.
Orson Welles held Ford in the highest esteem, considering him worthy of being spoken of in the same breath as D.W. Griffith or Von Stroheim, indeed the young Orson learned to make movies by running Stagecoach over and over, disseminating and absorbing its every detail.
Forever synonymous with the mythic landscape of Monument Valley, John Ford’s best work has a lyrically romantic tone which captivated such international filmmakers as Akira Kurosawa, Ingmar Bergman, Francois Truffaut and Satyajit Ray. The British critic-turned-director Lindsay Anderson recognised the poetry in Ford and wrote an indispensable book, ‘About John Ford’. Peter Bogdanovich also got close to the often contrary, sometimes acerbic, director and contributed both a book and a fascinating documentary, ‘Directed by John Ford’.
Our presentation includes music from Ford’s last great work, the psychological western, The Man Who Shot Liberty Valance, including the rare Fairmount Singers version of the Burt Bacharach – Hal David penned theme song, the original soundtrack of the curved-screen three-projector Cinerama epic, How the West Was Won, a portmanteau film to which Ford contributed the best thing in it, a short civil war episode. The programme also contains the main title and a waltz from the officer’s dance at Fort Grant from Ford’s James Stewart / Richard Widmark vehicle, Two Rode Together, Lonnie Donegan’s hit recording of the theme song from the fine Wayne western, The Comancheros, which he in part directed, and the Frank Devol / ‘By’ Dunham score for McLintock!, which reunited “Duke” with the immortal Maureen O’Hara. |
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