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*BAKELIT* |
| 7.257 Ft
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| 1. | The Revelator
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| 2. | Time To Get Movin'
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| 3. | You And I
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| 4. | My Cards Are On The Table
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| 5. | I'd Kill For You, Honey
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| 6. | Angels And Devils
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| 7. | Sometimes You Get The Bear (And Sometimes The Bear Gets You)
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| 8. | Somebody Save Me
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| 9. | Is It Just Me
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| 10. | Dark Night Of The Soul
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| Somebody Save Me is an ambitious album that slides gracefully between the new blues of Gary Clarke Jr. and Fantastic Negrito, the rock & soul stylings of The War & Treaty and the vintage Daptones soul of the late Charles Bradley and Sharon Jones, bringing a fresh take to classic sounds. The album was written and produced by Forty Below Records founder Eric Corne. Best known for his work with blues legends John Mayall and Walter Trout, Corne and Forty Below have also launched the careers of several talented new artists, such as Sam Morrow, Jaime Wyatt and KaiL Baxley. A number of mainstays from Corne productions feature strongly here including guitarist Rick Holmstrom (Mavis Staples), bassist Taras Prodaniuk (Dwight Yoakam), drummer Matt Tecu (Jakob Dylan), keyboardist Sasha Smith (Sam Beam, Jesca Hoop), guitarist Eamon Ryland (The Happy Mondays) and the horn section from Late Night with Conan O Brien. Corne recorded the bulk of the record live and the chemistry of the performances infuses the songs with a spontaneity and raw emotion. The ten songs on the album explore contrasting themes of darkness and light. There is social commentary like on Time to Get Movin The mansions on the hillside / Look down on homeless camps / While we re caught in the crossfire / Lookin for the exit ramps . There are several love songs, including two gorgeous soul ballads, My Cards are on the Table and Somebody Save Me , the Stax inspired You and I and the more Motown leaning Is It Just Me , She could bring peace to the Middle East / They d be ready to sign / Free the worst villain / From the tightest prison / And have the warden waving goodbye . The album is full of inspired arrangements with several unexpected twists and turns; like the John Barry (James Bond) inspired bridge of Angels and Devils ; the wobbly 1950s inspired keyboard solo and lush strings of the title track, recorded with The Section Quartet (Ryan Adams, Father John Misty); and the gospel choir, shape-shifting keyboards and dramatic horns of The Revelator which seamlessly blends blues, soul and jazz with a hint of reggae. But at the center if it all is Sugaray Rayford s commanding voice, tying it all together. |
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