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| I Can't Seem to Say Goodbye (180gr) |
| Jerry Lee Lewis |
első megjelenés éve: 2017
33 perc |
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*BAKELIT* |
| 9.345 Ft
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1 Old Black Joe [1] (Stephen Foster) 02:17
2 Bonnie B [7] (Charles Underwood) 02:35
3 As Long As I Live [1] (Roy Acuff) 02:30
4 I Can't Help It [You Can't Help It] [1] (Hank Williams) 02:04
5 Sweet Little Sixteen [1] [Take 2] (Chuck Berry) 02:40
6 How's My Ex Treating You [3] (Vic McAlpin) 02:13
7 Hong Kong Blues [3] [Take 4] (Jerry Lee Lewis) 02:30
8 Waiting For A Train [2.2] (Jimmie Rodgers) 01:57
9 I Can't Trust Me (In Your Arms Anymore) [1] (Tommy Certain / Vic McAlpin) 02:14
10 Good Golly Miss Molly [1] (Robert "Bumps" Blackwell / John Marascalco) 02:01
11 Carry Me Back To Old Virginia [1] (Traditional) 02:26
12 One Minute Past Eternity [1] (Stan Kesler / Bill Taylor) 02:16
13 Invitation To Your Party [4] (Bill Taylor) 01:58
14 I Can't Seem To Say Goodbye [1] (Don Robertson) 03:09
The concluding three tracks on this album, 'One Minute Past Eternity', 'Invitation To Your Party' and 'I Can't Seem To Say Goodbye', are representative of what was arguably the most productive single day that Jerry Lee Lewis ever spent in a recording studio, namely 28th August 1963. The casual observer might, with good reason, actually think of this time as being somewhere about the low-point of a decade during which Jerry Lee appeared to be very much stuck in the music industry doldrums. Between his precipitous fall from grace in May 1958 and his no less impressive 'country comeback' some ten years later, very little of lasting significance, with the notable exception of a pair of stunning 'live' LPs, appeared to have been achieved on his part in the record business. Nonetheless, it was on that late summer day in 1963, the last occasion upon which Lewis would perform under contract to 'Sun Records', these three major country music hits, all of them destined to be top ten records, were cut in Memphis. It will be apparent to discerning listeners, however, that these tapes are not the actual hit recordings first heard courtesy of the opportunistic Shelby Singleton and his new 'Sun International' label in 1969 and 1970. In like manner with the companion 'Bear Family' LP 'In The Beginning': which relates to Jerry Lee's first three years at 'Sun Records', every track on this album is new to vinyl;
nothing here has been released in this format before, and all bar three of the tracks were first published as recently as 2015 on 'bear Family's 18 disc collection, 'Jerry Lee Lewis At Sun Records — The Collected Works: What The Hell Else Do You Need?'
Prior to the August 1963 denouement, Jerry Lee's tireless yet increasingly fruitless attempt to craft a hit record of equal eminence to his landmark 1957/58 hits, be it in the 'new' Sun studio at 639 Madison Avenue, Memphis, or in the Phillips studio in Nashville, witnessed him covering a remarkable variety of songs. The panoply of failed endeavour is reflected broadly on this new LP, ranging as it does from the revival of material originally performed by talents as diverse as Hoagy Carmichael, Jimmie Rodgers, Hank Williams, Little Richard and Chuck Berry, to titles which originated in the nineteenth century 'minstrel' tradition.
But it was by virtue of an unheralded trio of 'country-pop' numbers, initially dismissed as being unworthy of a contemporary release, that commercial success would eventually be found. The party at SUN might indeed be over, but Jerry Lee was by no means ready to say good-bye. |
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