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| The Latin Bit (Hi-Res UHQCD) [Blue Note] |
| Grant Green |
| első megjelenés éve: 1963 |
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| (2025)
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CD |
| 7.977 Ft
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1 Mambo Inn
Written-By – Woodlon*, Sampson*, Bauza*
5:48
2 Besame Mucho
Written-By C. Velasquez, S. Skylar
7:09
3 Mama Inez
Written-By E. Grenet, L. Gilbert
6:38
4 Brazil
Written-By A. Barroso, S. K. Russell
4:59
5 Tico Tico
Written-By Jose Abreu
7:42
6 My Little Suede Shoes
Written-By Charlie Parker
6:21
7 Blues For Jaunita
Written-By Grant Green
7:02
8 Grenada
Written-By Augustin Lara
6:23
9 Hey There
Written-By J. Ross, R. Adler
7:24
Bass – Wendell Marshall
Congas – Carlos "Patato" Valdes
Drums – Willie Bobo
Guitar – Grant Green
Percussion [Checkere] – Garvin Masseaux (tracks: 1 to 6)
Piano – Johnny Acea (tracks: 1 to 7), Sonny Clark (tracks: 8, 9)
Producer – Alfred Lion
Tenor Saxophone – Ike Quebec (tracks: 8, 9)
Originally recorded on April 26 (#1-7) and September 7 (#8 & 9), 1962 at Van Gelder Studios, Englewood Cliffs, New Jersey.
All transfers from analog to digital made at 24-bit resolution.
Tracks 1-6 originally issued in 1963 as Blue Note BST 84111.
Tracks 7-9 originally issued in 1996 on the first CD edition of this album. Bonus tracks, not part of original LP
Grant Green (guitar); Ike Quebec (tenor saxophone); Johnny Acea (piano); Wendall Marshall (bass); Willie Bobo (drums); Carlos "Potato" Valdez (congas); Carvin Masseaux (chekere)
George Benson calls this his favorite Grant Green album. Green digs into everything from "Tico, Tico" to Charlie Parker's "My Little Suede Shoes." Includes one previously unissued tune from the session as well as 2 tunes with Ike Quebec and Sonny Clark added.
Grant Green was one of the top jazz guitarists to emerge during the early '60s. For the original LP program reissued on this 1996 CD, Green and a particularly strong rhythm section (with pianist Johnny Acea, bassist Wendell Marshall, drummer Willie Bobo, and percussionists Potato Valdez and Garvin Masseaux) play the very attractive melodies (including "Mambo Inn," "Besame Mucho," and "Tico Tico") with affection and swing. In fact, Green has rarely sounded happier. For this reissue a previously unissued straight-ahead piece from the same session ("Blues for Juanita") and two numbers from a slightly later date (featuring a similar group with tenor saxophonist Ike Quebec and pianist Sonny Clark) are also included. Overall, this is one of Grant Green's more delightful sets, an underrated gem.
---Scott Yanow, allmusic |
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