  |
|
|
 |
|
CD |
| 7.617 Ft
|
|
| 1. | Headin' South
|
| 2. | The Song Is Ended
|
| 3. | Summertime
|
| 4. | Low Down
|
| 5. | Congalegre
|
| 6. | Prelude to a Kiss
|
| 7. | Jim Loves Sue
|
| 8. | My Mother's Eyes
|
Jazz / Hard Bop
Horace Parlan - Piano
Al Harewood - Drums
George Tucker - Bass
Joe Goldberg - Liner Notes
Ray Barretto - Conga
Ronnie Brathwaite - Cover Photo
Rudy Van Gelder - Engineer, Digital Remastering
24 bit digitally remastered Japanese reissue of classic Blue Note album in a miniaturized LP sleeve limited to the initial pressing only, and with the original artwork intact. Contains all eight tracks from the original 1960 issue.
On the surface, Headin' South is another set of bluesy soul-jazz, but it actually finds the Horace Parlan trio stretching out a little. Adding conga player Ray Barretto to his usual rhythm section of bassist George Tucker and drummer Al Harewood, Parlan decides to take chances with his standard-heavy repertoire. "Summertime" features some evocative bowing from Tucker, and the solo sections on "The Song Is Ended," "Prelude to a Kiss," and "My Mother's Eyes" offer probing, intriguing tonal textures that make the selection of Ahmad Jamal's "Jim Loves Sue" understandable. Barretto's "Congalegre" is a fun, Latin-inflected number, and Parlan's "Headin' South" is a strong, swinging blues, but the slow blues "Low Down" is nearly undone by his incessant circular arpeggio, which lasts for over a minute. Still, that's not nearly enough to sink the record, which is another understated but solid effort from Horace Parlan. ~ Stephen Thomas Erlewine, All Music Guide
Horace Parlan
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Jan 19, 1931 in Pittsburgh, PA
Genre: Jazz
Styles: Post-Bop, Hard Bop
Horace Parlan has overcome physical disability and thrived as a pianist despite it. His right hand was partially crippled by polio in his childhood, but Parlan's made frenetic, highly rhythmic right hand phrases part of his characteristic style, contrasting them with striking left-hand chords. He's also infused blues and R&B influences into his style, playing in a stark, sometimes somber fashion. Parlan has always cited Ahmad Jamal and Bud Powell as prime influences. He began playing in R&B bands during the '50s, joining Charles Mingus' group from 1957 to 1959 following a move from Pittsburgh to New York. Mingus aided his career enormously, both through his recordings and his influence. Parlan played with Booker Ervin in 1960 and 1961, then in the Eddie "Lockjaw" Davis-Johnny Griffin quintet in 1962. Parlan played with Rahsaan Roland Kirk from 1963 to 1966, and had a strong series of Blue Note recordings in the '60s. He left America for Copenhagen in 1973, and gained international recognition for some stunning albums on Steeplechase, including a pair of superb duet sessions with Archie Shepp. He also recorded with Dexter Gordon, Red Mitchell, and in the '80s Frank Foster and Michal Urbaniak. He also has recorded extensively for SteepleChase, Enja, and Timeless.
---Ron Wynn, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
