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Recorded: 1991, Alte Oper Frankfurt
Hailed by the press as "the definitive video production" of Tchaikovsky's music, this exceptional concert series, recorded live from the Alte Oper Frankfurt, features the leading Russian conductor Vladimir Fedoseyev and the Moscow Radio Symphony Orchestra.
1. SYMPHONY NO. 4 in F Minor op. 36 (1877)
All his life, Tchaikovsky retained a love for this symphony. At the end of 1878, he wrote: "I adore terribly this child of mine; it is one of only a few works with which I have not experienced disappointment". Ten years later, when referring to the symphony, he wrote "it turns out that not only have I not cooled towards it, as I have cooled towards the greater part of my compositions, but on the contrary, I am filled with warm and sympathetic feelings towards it. I don't know what the future may bring, but presently it seems to me that this is my best symphonic work".
2. VIOLIN CONCERT in D Major op. 35 (1878)
The concerto's standing was affirmed by its performance by A. Brodskii in London at a "Richter Concert" on 26 April/8 May 1882. Tchaikovsky was impressed by A. Brodskiis audacity, the young violinist having dared to appear before the Viennese public with a new work by a Russian composer. The composer withdrew the original dedication to L. S. Auer, and replaced it with one to A. Brodskii. In Russia the Violin Concerto was performed for the first time on 8 August 1882 at a concert in the Art and Industrial Exhibition, by A. Brodskii, conducted by I. K. Al'tani. The concerto had exceptional success.
3. "THE YEAR 1812" - Festival Overture in E flat Major op. 49 (1880)
The first performance of the overture took place on 8 August 1882 at the sixth symphony concert, in a programme consisting entirely of works by Tchaikovsky. The festival overture The Year 1812 was greeted with wide public acclaim, and was performed frequently and invariably with success, under the author's baton both in Russia and abroad. The overture uses the theme of the prayer for victory in battle "God, preserve thy people". The theme of the overture's second subject was taken over from the end of Act II of the opera The Voevoda. In the overture, Tchaikovsky also employed the theme of the French national anthem La Marseilleise, as well as the Russian state anthem ... and the Russian folk song "By the gates". |
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[ NTSC ]