| Jazz / Contemporary Jazz; Smooth Jazz; Instrumental Pop; Crossover Jazz 
 Boney James - soprano, alto & tenor saxophones, Mini-Moog, keyboards, synthesizer
 Daddy Shakespeare - vocals
 Dan Higgins - tenor saxophone
 Jerry Hey - trumpet, flugelhorn
 Rick Braun - flugelhorn
 Bill Reichenbach - trombone
 Bob James - piano
 David Torkanowsky - piano, keyboards
 Darrell Smith - piano, keyboards
 Leon Bisquera - keyboards
 Michael Egizi - keyboards
 Dwayne "Smitty" Smith - synthesizer
 Tony Maiden - guitar
 Carl Burnett - guitar
 Paul Jackson, Jr. - guitar
 A. Ray "The Weeper" Fuller, Jr. - guitar
 Marcos Loya - guitar
 Roberto Vally - bass, electric bass
 Me'Shell NdegeOcello - bass
 Donnell Spencer, Jr. - drums
 Peter Erskine - drums, cymbals
 Lenny Castro - percussion
 Paul Brown - hand claps
 Eric Cadieux - special effects
 Leslie Smith - background vocals
 Roy Galloway - background vocals
 Jeff Pescetto - background vocals
 
 Boney James comes from somewhere over in the easy listening corner of jazz, with rhythms bordering on funk in one direction and soft soul in the other, with a lot of programmed drums (very well done) and deep, dark synth bass. Sometimes a male voice will venture out into the mix, but this isn't a particularly significant portion of the program -- just the right sort of sound for this kind of laid-back, late-night, easy listening material. James himself handles alto, tenor, and soprano sax duties with ease, playing relaxed, weaving lines throughout each cut and working with some decidedly pleasant arrangements. Seduction is smooth and self-assured, well-dressed, and fairly unremarkable.
 ---Steven McDonald, AMG
 
 
 
 Boney James
 
 Active Decades: '90s and '00s
 Genre: Jazz
 Styles: Instrumental Pop, Contemporary Jazz, Crossover Jazz, Smooth Jazz
 
 A solid saxophonist whose style falls on the R&B-ish and pop side of jazz, Boney James (who is heavily influenced by Grover Washington, Jr.) is a consistent best-seller who can always be relied upon to put on a colorful live show. Born James Oppenheim, he grew up in New Rochelle, NY. The future Boney James studied clarinet when he was eight, switching to saxophone two years later. When he was 15, his family moved to Los Angeles. James was soon playing in a fusion band (Line One) which was strong enough to open for Flora Purim and the Yellowjackets. After a year attending U.C. Berkeley, he transferred to U.C.L.A. so he could continue playing with the band. He earned a degree in history but became a full-time musician after graduation, doubling on keyboards. James went on the road as a keyboardist with Morris Day in 1985 and eventually convinced Day that he should be playing saxophone instead. He spent four years with Day and became in-demand for guest spots on tenor, alto, soprano, and flute, playing with Randy Crawford, Sheena Easton, the Isley Brothers, Bobby Caldwell, and others. He picked up his nickname while on tour with Crawford. After mentioning to a keyboardist that he was running out of food money, the musician replied that if he ate any less, he would have to be called Boney James. The popular saxophonist made his debut as a leader with Trust in 1992 (Spindletop) and then in 1994 was signed by Warner Bros., where he recorded dates including Backbone, Seduction, Boney's Funky Christmas, Sweet Thing, Shake It Up, Ride and Pure. In 2006, Boney made the move to Concord Records and released Shine.
 ---Scott Yanow, All Music Guide
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