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Illusions |
George Duke |
első megjelenés éve: 1995 67 perc |
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(1995)
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 CD |
2.523 Ft
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1. | Genesis
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2. | 500 Miles To Go
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3. | 411
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4. | Love Can Be So Cold
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5. | Illusions
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6. | The Simple Things
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7. | Life And Times
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8. | Look What We Started Now
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9. | C'est La Vie
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10. | Buffalo Soldiers
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11. | Money
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12. | No Greater Love
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13. | So I'll Pretend
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Jazz / Jazz-Pop; Crossover Jazz
George Duke is truly a music virtuoso. From his many contributions as a producer, arranger, writer, musician and singer, the California native has layed down one grand effort after another. On this album, first and foremost, Duke utilizes this vast platform to express his musical passions. And in his own ingenious way, he voices his indiscreet discernment on the many virtues and vices of society. This set is eclectic, and at times, audaciously eccentric. Of the 13 selections, four are instrumentals and several are tinted with a sweet R&B coating. However, every number is seasoned with Duke's indelible jazzy melodies and interludes.The Synclavier-toting keyboardist is supported by an outstanding cast of performers, which includes the Emotions, Marvin Winans, Stanley Clarke, James Ingram and Dianne Reeves, to name a few. ---Craig Lytle, All Music Guide
George Duke
Active Decades: '60s, '70s, '80s, '90s and '00s Born: Jan 12, 1946 in San Rafael, CA Genre: Jazz Styles: Funk, Instrumental Pop, Jazz-Pop, Crossover Jazz, Post-Disco
George Duke showed a great deal of promise early in his career as a jazz pianist and keyboardist, but has forsaken that form to be a pop producer. Inspired early on by Les McCann, he worked with a trio in San Francisco during the mid-'60s. In 1969, Duke accompanied Jean-Luc Ponty, recording with the violinist. After eight months with the Don Ellis Orchestra, he joined Frank Zappa for much of 1970. Duke spent 1971-1972 with Cannonball Adderley and then returned to Zappa for 1973-1975. In 1975, he worked with Sonny Rollins, co-led a group with Billy Cobham, and then formed a funk band (the Clarke-Duke Project) with Stanley Clarke. By the late '70s, he was completely outside of jazz, playing R&B and producing projects for pop artists. Although he has since expressed interest in returning to active playing, little of George Duke's post-1976 work is relevant to jazz, but he has kept himself busy with projects. Dukey Treats appeared in 2008 from Heads Up Records. ---Scott Yanow, All Music Guide |
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