Jazz / Soul-Jazz, Hard Bop
  Nat Adderley - Cornet Andy Simpkins - Bass Bill Dowdy	Drums Gene Harris	Piano Jack Higgins	 Johnny Griffin	Sax (Tenor), Saxophone Melvin Sokolsky	Photography Orrin Keepnews	Liner Notes, Producer Paul Bacon	Cover Design Phil DeLancie	Remastering
   Cornetist Nat Adderley's debut for Riverside (reissued on CD in the OJC series) was recorded about a year before he permanently rejoined his brother Cannonball Adderley's Quintet. Teamed with tenor-saxophonist Johnny Griffin and The Three Sounds (the popular soul jazz rhythm section comprised of pianist Gene Harris, bassist Andy Simpkins and drummer Bill Dowdy), Nat is in excellent form on such tunes as "Well You Needn't," "Don't Get Around Much Anymore" and "I Never Knew" in addition to two of his lesser-known originals. Adderley and Griffin made for an exciting frontline. ~ Scott Yanow, All Music Guide
 
 
  Nat Adderley
  Active Decades: '50s, '60s, '70s, '80s and '90s Born: Nov 25, 1931 in Tampa, FL Died: Jan 02, 2000 in Lakeland, FL Genre: Jazz
  Nat Adderley's cornet (which in its early days was strongly influenced by Miles Davis) was always a complementary voice to his brother Cannonball in their popular quintet. His career ran parallel to his older brother for quite some time. Nat took up trumpet in 1946, switched to cornet in 1950, and spent time in the military, playing in an Army band during 1951-1953. After a period with Lionel Hampton (1954-1955), Nat made his recording debut in 1955, joined Cannonball's unsuccessful quintet of 1956-1957, and then spent periods with the groups of J.J. Johnson and Woody Herman before hooking up with Cannonball again in October 1959. This time the group became a major success and Nat remained in the quintet until Cannonball's death in 1975, contributing such originals as "Work Song," "Jive Samba," and "The Old Country" along with many exciting hard bop solos. Nat Adderley, who was at the peak of his powers in the early to mid-'60s and became adept at playing solos that dipped into the subtone register of his horn, led his own quintets after Cannonball's death; his most notable sidemen were altoists Sonny Fortune (in the early '80s) and Vincent Herring. Although his own playing declined somewhat -- Adderley's chops no longer had the endurance of his earlier days -- Nat continued recording worthwhile sessions in the years prior to his death on January 2, 2000. Many but not all of his recordings through the years are currently available (for such labels as Savoy, EmArcy, Riverside, Jazzland, Atlantic, Milestone, A&M, Capitol, Prestige, SteepleChase, Galaxy, Theresa, In & Out, Landmark, Evidence, Enja, Timeless, Jazz Challenge, and Chiaroscuro).  ---Scott Yanow, All Music Guide |