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Kérjen
árajánlatot! |
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| 1. | All the Things You Are
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| 2. | La Ronde
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| 3. | Vendome
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| 4. | Rose of the Rio Grande
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| 5. | The Queen's Fancy
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| 6. | Delaunay's Dilemma
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| 7. | Autumn in New York
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| 8. | But Not for Me
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| 9. | Django
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| 10. | One Bass Hit
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| 11. | Milano
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| 12. | Ralph's New Blues
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| 13. | All of You
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| 14. | I'll Remember April
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| 15. | Gershwin Medley: Soon/For You, For Me, For Evermore/Loved Walked In/Our
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| 16. | Concorde
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| 17. | Softly, As in a Morning Sunrise
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Jazz / Cool, Third Stream
The Modern Jazz Quartet
Connie Kay Drums
Geraint Watkins Digital Remastering
John G. Lewis Piano
Joop Visser Compilation, Liner Notes, Release Production
Kenny Clarke Drums
Milt Jackson Vibraphone
Percy Heath Bass
Considering the lengthy career of the Modern Jazz Quartet as a working band, their extensive discography, and the many different projects they undertook, providing a definitive or even cursory introduction to their work might be a bit daunting. Still, this collection, with 17 tracks total, is quite the proper introduction to this legendary chamber jazz combo. The key is that many of the most beloved compositions of pianist John Lewis are included. Along with a few pristinely rendered standards such as "All The Things You Are," "Autumn In New York," and "I'll Remember April" are the selections from Lewis that have become standards, like "Delaunay's Dilemma," the immortal "Django," "One Bass Hit," "Milano" and "Concorde." And as always, the interplay between Lewis and vibraphonist Milt Jackson is second to none. An easily recommended purchase, it is testament to the continuing importance of this innovative and universally recognized modern jazz group that sets precedents no other band has even remotely approached. ~ Michael G. Nastos, All Music Guide
The Modern Jazz Quartet
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: 1952
Genre: Jazz
Styles: Bop, Cool, Third Stream
Pianist John Lewis, vibraphonist Milt Jackson, bassist Ray Brown and drummer Kenny Clarke first came together as the rhythm section of the 1946 Dizzy Gillespie & His Orchestra and they had occasional features that gave the overworked brass players a well-deserved rest. They next came together in 1951, recording as the Milt Jackson Quartet. In 1952, with Percy Heath taking Brown's place, the Modern Jazz Quartet (MJQ) became a permanent group. Other than Connie Kay succeeding Clarke in 1955, the band's personnel was set. In the early days Jackson and Lewis both were equally responsible for the group's musical direction but the pianist eventually took over as musical director. The MJQ has long displayed John Lewis' musical vision, making jazz seem respectable by occasionally interacting with classical ensembles and playing concerts at prestigious venues, but always leaving plenty of space for bluesy and swinging improvising. Their repertoire, in addition to including veteran bop and swing pieces, introduced such originals as Lewis' "Django" and Jackson's "Bags' Groove." The group recorded for Prestige (1952-55), Atlantic (1956-74), Verve (1957), United Artists (1959) and Apple (1967-69) and, in addition to the many quartet outings, they welcomed such guests as Jimmy Giuffre, Sonny Rollins, the Beaux Arts String Quartet, a symphony orchestra conducted by Gunther Schuller, singer Diahann Carroll (on one piece), Laurindo Almeida, a big band and the Swingle Singers. Although the musicians all had opportunities to pursue individual projects, in 1974 Milt Jackson, tired of the constant touring and the limitations set on his improvising and he quit the group, causing the MJQ to have a final tour and break up. In 1981 Jackson relented and the Modern Jazz Quartet (which has recorded further albums for Pablo and Atlantic) became active again although on a more part-time basis. Connie Kay's health began to fade in the early '90s (Mickey Roker often filled in for him) and after his death in 1995, Albert "Tootie" Heath became his replacement.
--- Scott Yanow, All Music Guide |
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