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| 2.823 Ft
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| 1. | Blue Room
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| 2. | Tariff
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| 3. | Little Girl Blue
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| 4. | Scratch
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| 5. | Zec
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Jazz / Hard Bop
Recorded: March 13, 1956, Audio-Video Studios, New York City
Thad Jones (trumpet)
Billy Mitchell (tenor saxophone)
Kenny Burrell (guitar)
Tommy Flanagan (piano)
Oscar Pettiford (bass instrument)
Shadow Wilson (drums)
For his second Blue Note album, recorded in March 1956, Thad Jones recruited some old Detroit friends who were recent arrivals in New York: Billy Mitchell, Kenny Burrell and Tommy Flanagan. For bass and drums, he chose the venerated New York greats Oscar Pettiford and Shadow Wilson. On three originals and two Rodgers & Hart songs, Jones and company create meaningful, intelligent, state-of-the-art hard bop.
For his first session as a leader for Blue Note, trumpeter Thad Jones ran through five songs with a small group which also included fellow Detroiters pianist Tommy Flanagan and guitarist Kenny Burrell as well as part-time Detroiter tenor saxophonist Billy Mitchell. Jones' time with Debut certainly broke him in, and he is thoroughly professional on this record. Compared to its predecessor, The Fabulous Thad Jones, and its successor, The Magnificent Thad Jones, Detroit-New York Junction pales slightly, but it's nevertheless an excellent set of driving hard bop.
---Stephen Thomas Erlewine, AMG |
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