| Jazz 
 Fats Navarro - Trumpet
 Allen Eager - Sax (Tenor)
 Art Blakey - Drums, Drums (Snare)
 Barry Ulanov - MC
 Billy Bauer - Guitar
 Bud Powell - Piano
 Budd Johnson - Sax (Alto)
 Buddy Rich - Drums
 Carlos Vidal Bolado - Conga
 Cecil Payne - Bars, Sax (Baritone)
 Chano Pozo - Bongos
 Charlie Rouse - Sax (Tenor)
 Chuck Wayne - Guitar, Guitar (Baritone)
 Coleman Hawkins - Sax (Tenor)
 Curly Russell - Bass
 Denzil Best - Drums, Drums (Snare)
 Dexter Gordon - Sax (Tenor)
 Diego Ibarra - Bongos
 Don Lanphere - Sax (Tenor)
 Eddie "Lockjaw" Davis - Sax (Tenor)
 Ernie Henry - Sax (Alto)
 Gene Ramey - Bass
 Hank Jones - Piano
 Howard McGhee - Trumpet
 Huey Long - Guitar, Guitar (Baritone)
 J.J. Johnson - Trombone
 Jack Lesberg - Bass
 Jimmy Johnson - Bass
 John LaPorta - Clarinet
 Kai Winding - Trombone
 Kenny Clarke - Drums (Snare)
 Lennie Tristano - Piano
 Leo Parker - Bars, Sax (Alto), Sax (Baritone)
 Linton Garner - Piano
 Marion Deveta - Bars, Sax (Baritone)
 Max Roach - Drums, Drums (Snare)
 Milt Jackson - Piano, Vibraphone
 Nelson Boyd - Bass, Drums (Snare)
 Roy Haynes - Drums
 Sahib Shihab - Sax (Alto)
 Shadow Wilson - Drums, Drums (Snare)
 Sonny Rollins - Sax (Tenor)
 Tadd Dameron - Piano
 Tommy Porter - Bass
 Tommy Potter - Bass
 Wardell Gray - Sax (Tenor)
 
 A 23-track overview of Fats' brief moments of brilliance in the jazz skyline. The groups are varied, as was Navarro's wont, featuring such luminaries as Eddie "Lockjaw" Davis, Tadd Dameron, Leo Parker, Art Blakey, Howard McGhee, Bud Powell, Sonny Rollins, Kenny Clarke, Milt Jackson, and Fats' idol, Charlie Parker. Navarro was a brilliant musician, done in by drugs and tuberculosis. This disc gives you an idea of how tragic his loss was to the jazz world.
 ---Cub Koda, All Music Guide
 
 
 
 Fats Navarro
 
 Active Decades: '40s and '50s
 Born: Sep 24, 1923 in Key West, FL
 Died: Jul 07, 1950 in New York, NY
 Genre: Jazz
 Styles: Bop
 
 One of the greatest jazz trumpeters of all time, Fats Navarro had a tragically brief career yet his influence is still being felt. His fat sound combined aspects of Howard McGhee, Roy Eldridge, and Dizzy Gillespie, became the main inspiration for Clifford Brown, and through Brownie greatly affected the tones and styles of Lee Morgan, Freddie Hubbard, and Woody Shaw.
 Navarro originally played piano and tenor before switching to trumpet. He started gigging with dance bands when he was 17, was with Andy Kirk during 1943-1944, and replaced Dizzy Gillespie with the Billy Eckstine big band during 1945-1946. During the next three years, Fats was second to only Dizzy among bop trumpeters. Navarro recorded with Kenny Clarke's Be Bop Boys, Coleman Hawkins, Eddie "Lockjaw" Davis, Illinois Jacquet, and most significantly Tadd Dameron during 1946-1947. He had short stints with the big bands of Lionel Hampton and Benny Goodman, continued working with Dameron, made classic recordings with Bud Powell (in a quintet with a young Sonny Rollins) and the Metronome All-Stars, and a 1950 Birdland appearance with Charlie Parker was privately recorded. However, Navarro was a heroin addict and that affliction certainly did not help him in what would be a fatal bout with tuberculosis that ended his life at age 26. He was well documented during the 1946-1949 period and most of his sessions are currently available on CD, but Fats Navarro (who would have turned 72 in 1995) could have done so much more.
 ---Scott Yanow, All Music Guide
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