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Kérjen
árajánlatot! |
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| 1. | Norman's Blues
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| 2. | I Know That You Know
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| 3. | If I Had You
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| 4. | Alone Together
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| 5. | Twelfth Street Rag
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| 6. | Down Home Blues
Funky Blues
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| 7. | Sonny's Tune
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| 8. | Stars Fell on Alabama
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| 9. | Body & Soul
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| 10. | Between the Devil and the Deep Blue Sea
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Jazz / Bop, Hard Bop
Recorded: September 14, 1956 at Fine Sound, New York City
Sonny Stitt - Sax (Tenor), Sax (Alto)
Jimmy Jones - Piano
Ray Brown - Bass
Jo Jones - Drums
Equally at home on tenor and alto, Sonny Stitt was a high-energy saxophonist who was at his best when he had a first-class rhythm section to inspire him. He had just that in Jimmy Jones, Ray Brown, and Jo Jones on this 1956 session, and the results were, as Down Beat put it, "breath-catching."
Original recordings produced by Norman Granz
Bryan Koniarz Reissue Producer
Chuck Stewart Cover Photo
Hollis King Reissue Art Director
Ken Druker Executive Producer
Kevin Reeves Reissue Mastering
Mark Smith Reissue Production Assistance
Nat Hentoff Liner Notes
Sherniece Smith Reissue Art Director
Sonny Stitt was so closely identified with Charlie Parker on the alto that even when he played tenor, his style was of the quicker-than-lightning variety with all the notes he could pack in a phrase in his soloing. Which makes listening to him, for all but the most ardent bebop fans, an endurance contest no matter how agile he was. Here, in a 1956 session with Ray Brown and Jo and Jimmy Jones backing him, there is some tempering of the maelstrom that Stitt conjured up on every bandstand. Half the program is ballads, including "The Stars Fell on Alabama," a gorgeous "Body & Soul," and "Between the Devil and the Deep Blue Sea." While these cuts show an uncharacteristic restraint from Stitt, the midtempo tunes, such as "Down Home Blues," "Alone Together," and "If I Had You," still reveal his insistence on streaking everything into the blue despite a rhythm section that wishes to hold the tunes within recognizable tempos. It's no problem for Stitt; he just plays twice or three times as fast. This is a good session, but like all of Stitt's records, wears thin after about six cuts. ~ Thom Jurek, All Music Guide
Sonny Stitt
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Feb 02, 1924 in Boston, MA
Died: Jul 22, 1982 in Washington, D.C.
Genre: Jazz
Styles: Bop, Hard Bop, Mainstream Jazz, Soul-Jazz, Standards
Charlie Parker has had many admirers and his influence can be detected in numerous styles, but few have been as avid a disciple as Sonny Sitt. There was almost note-for-note imitation in several early Stitt solos, and the closeness remained until Stitt began de-emphasizing the alto in favor of the tenor, on which he artfully combined the influences of Parker and Lester Young. Stitt gradually developed his own sound and style, though he was never far from Parker on any alto solo. A wonderful blues and ballad player whose approach influenced John Coltrane, Stitt could rip through an up-tempo bebop stanza, then turn around and play a shivering, captivating ballad. He was an alto saxophonist in Tiny Bradshaw's band during the early '40s, then joined Billy Eckstine's seminal big band in 1945, playing alongside other emerging bebop stars like Gene Ammons and Dexter Gordon. Stitt later played in Dizzy Gillespie's big band and sextet. He began on tenor and baritone in 1949, and at times was in a two-tenor unit with Ammons. He recorded with Bud Powell and J.J. Johnson for Prestige in 1949, then did several albums on Prestige, Argo, and Verve in the '50s and '60s. Stitt led many combos in the '50s, and re-joined Gillespie for a short period in the late '50s. After a brief stint with Miles Davis in 1960, he reunited with Ammons and for a while was in a three-tenor lineup with James Moody. During the '60s, Stitt also recorded for Atlantic, cutting the transcendent Stitt Plays Bird, which finally addressed the Parker question in epic fashion. He continued heading bands, though he joined the Giants of Jazz in the early '70s. This group included Gillespie, Art Blakey, Kai Winding, Thelonious Monk, and Al McKibbon. Stitt did more sessions in the '70s for Cobblestone, Muse, and others, among them another definitive date, Tune Up. He continued playing and recording in the early '80s, recording for Muse, Sonet, and Who's Who in Jazz. He suffered a heart attack and died in 1982.
---Ron Wynn and Bob Porter, All Music Guide |
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