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| 11.217 Ft
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| 1. | Please Send Me Someone to Love
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| 2. | Stompin' at the Savoy
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| 3. | The Very Thought of You
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| 4. | Almost Like Being in Love
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| 5. | If I Were a Bell
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| 6. | I Know Why (And So Do You)
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| 7. | I Can't Give You Anything But Love
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| 8. | But Not for Me
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Jazz / Hard Bop, Mainstream Jazz
Red Garland - Piano
Art Taylor - Drums
Paul Chambers - Bass
Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing.
Bob Weinstock Supervisor
Esmond Edwards Photography
Ira Gitler Original Liner Notes, Liner Notes
Nick Phillips Reissue Producer
Reid Miles Cover Design, Design
Rudy Van Gelder Engineer, Author, Liner Notes, Remastering
Shigeo Miyamoto Mastering
Stuart Kremsky Reissue Production Assistance, Reissue Producer
Red Garland's third session as a leader finds the distinctive pianist investigating eight standards (including "Please Send Me Someone to Love," "Stompin' at the Savoy," "If I Were a Bell," and "Almost Like Being in Love") with his distinctive chord voicings, melodic but creative ideas, and solid sense of swing. Joined by bassist Paul Chambers and drummer Art Taylor, Garland plays up to his usual consistent level, making this an easily recommended disc for straight-ahead fans. ~ Scott Yanow, All Music Guide
Red Garland
Active Decades: '50s, '60s, '70s and '80s
Born: May 13, 1923 in Dallas, TX
Died: Apr 23, 1984 in Dallas, TX
Genre: Jazz
Styles: Hard Bop
Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again.
---Scott Yanow, All Music Guide |
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