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| The Window Up Above - American Songs 1770-1998 |
| Tom Varner |
| első megjelenés éve: 1998 |
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| (1998)
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CD |
| 4.076 Ft
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| 1. | Stone Grinds All
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| 2. | The Window up Above
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| 3. | I Got It Bad (And That Ain't Good)
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| 4. | Kingdom Coming
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| 5. | Over the Rainbow
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| 6. | My God Is Real
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| 7. | The Man I Love
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| 8. | When the Saints Go Marching In
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| 9. | Lorena
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| 10. | Till I Get Right
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| 11. | Memories of You
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| 12. | Battle Cry of Freedom
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| 13. | All Quiet on the Potomac
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| 14. | Ramblin' Man
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| 15. | Abide with Me
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| 16. | When Jesus Wept
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| 17. | With Every Wish
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| 18. | The Best Thing
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| 19. | There Is a Balm in Gilead
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Jazz
Recorded at Sound On Sound, New York, New York on May 7 & 8, 1998
Tom Varner - Arranger, Horn, Liner Notes, Producer
Thirsty Dave Hansen (vocals); Dave Ballou (cornet); Mark Feldman (violin); Pete McCann (guitar); Lindsey Horner, Steve Alcott (bass); George Schuller (drums)
* John F. Szwed - Liner Notes
* John R. Reigart III - Assistant Engineer
* Jon Rosenberg - Engineer
* Paul Zinman - Mastering
Tom Varner's interpretations from that rich mine that is American music is, quite simply, one of the most ear-opening and singular recordings to be heard in too long. The Missouri-bred horn player looks out over two centuries of diverse and inspiring creation. He chooses to take great liberty with some of the most hallowed themes from the land of liberty, like the drunken, faltering deconstruction of "When the Saints Go Marching In." But for anyone having strolled down Bourbon street knows that this version, which begins strong and "straight" to end a bleary recollection, is closest to the spirit of New Orleans. Partitioning this recording into a beginning and an end is two classic, country chestnuts given a compelling voice by Thirsty Dave Hansen, the title track (George Jones), and then Hank Williams' "Ramblin' Man." Before "The Window up Above" is a single track, a treatment of the Revolutionary War-era "Stone Grinds All." This lone song (largely a fiddle solo by Mark Feldman) expresses both Varner's plain love for this music and the ability to throw in a stunning jazz treatment from the horn. Between Jones and Williams are spirituals, a weeping "Over the Rainbow," Gershwin, and more. After Williams are three more spirituals and two interesting additions to the collection. First, Bruce Springsteen's "With Every Wish" "sung" as all but Hansen's contributions are, by the horn with all the necessary gospel-soul to contain it in the greater picture. This is also where you find the one original, "The Best Thing," an expansive summary by the horn, encompassing the sounds of America, especially jazz, and upheld by double bass and percussion treatments.
---Tom Schulte, All Music Guide
Mojo (3/99, p.102) - "[Tom] Varner is one of the most enlightened performers in New York Jazz..." |
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