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3.821 Ft
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1. | Ol' Man River
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2. | Don't Get Around Much Anymore
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3. | Blues for Mr. T.
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4. | It's Only a Paper Moon
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5. | I've Got the World on a String
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6. | Honeysuckle Rose
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7. | How High the Moon
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8. | Takin' a Chance on Love
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9. | Time After Time
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10. | All the Things You Are
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11. | All the Things Your Are [*]
with Ike Isaacs |
12. | Cotton Tail [*]
with Ike Isaacs |
13. | Misty [*]
with Ike Isaacs |
Jazz / Crossover Jazz; Swing
Martin Taylor (guitar); Ike Isaacs (guitar)
Martin Taylor's earliest recordings have long been difficult to acquire, but they finally reappeared in 2006 on this P3Music CD reissue. The masterful guitarist was already a dazzling player in 1983, when the solo performances on this disc were recorded. Taylor intended his tribute to incorporate the spirit, warmth, and humor of Art Tatum, without trying to duplicate the legendary pianist's pyrotechnics on guitar, which would have been impossible, in any case. Tatum only recorded six of the first ten compositions, though Taylor succeeds in getting the listener to imagine what fun he might have had playing other songs, working a brief excerpt of Gershwin's "An American in Paris" into Jerome Kern's "Ol' Man River." His breathtaking dash through "Taking a Chance on Love" and the lively tribute "Blues for Mr. T" also merit strong praise. When Taylor tackles Tatum's favorite standards, it becomes clear that a virtuoso is in the making, especially with his show-stopping finale of "All the Things You Are." Three 1978 duets with guitarist Ike Isaacs, who was a very important mentor to Taylor during his early years, are an added bonus. ---Ken Dryden, All Music Guide
Martin Taylor
Active Decades: '70s, '80s, '90s and '00s Born: 1956 in Scotland Genre: Jazz Styles: Crossover Jazz, Swing
Since the death of Joe Pass in 1994, Martin Taylor has become one of the most highly regarded guitarists in jazz. He was given his first guitar by his father, Buck Taylor. Although he was inspired at first by Django Reinhardt, it was piano players like Art Tatum that drew his attention and helped him practice to develop his phenomenal solo technique. In the late '70s, Stephane Grappelli invited him to play in a series of concerts in France. The violinist was so impressed that he used Taylor often on tours and a variety of recording dates. Beginning in 1990, Taylor began recording a number of acclaimed CDs for the U.K. label Linn, distributed as HonestLinn in the U.S., and also did an excellent duet date with David Grisman for the mandolin player's Acoustic Disc label. All that is missing from Taylor's current roster of recordings is a live date, though an excellent concert video is available. In 2000, he released his debut on an American label, Columbia, entitled Kiss and Tell. Stepping Stones on Linn followed that same fall. ---Ken Dryden, All Music Guide |
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