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Rompin' 'n' Stompin'
Wild Bill Davison
első megjelenés éve: 1994
(1994)

CD
5.025 Ft 

 

IMPORT!
Kiveszem a kosaramból!
1.  Pagan Love Song
2.  Hello, Dolly!
3.  Tishomingo Blues
4.  Angry
5.  Save It, Pretty Mama
6.  Who's Sorry Now?
7.  Sit Right Down & Write Myself a Letter
8.  Blues My Naughty Sweetie Gives to Me
9.  Monday Date
10.  Big Butter and Egg Man
11.  Linger Awhile
Jazz / Dixieland; Dixieland Revival

Wild Bill Davison - Cornet
Eddie Collins - Banjo
John McDonald - Clarinet

George H. Buck, Jr. - Liner Notes

Cornetist Wild Bill Davison was teamed with the spirited amateur group the Tailgate Ramblers in 1964 for a Jazzology recording session. They romp and stomp their way through 11 Dixieland standards including "Pagan Love Song," "Hello Dolly," "Angry" and "My Monday Date." Davison took a rare vocal on "Save It Pretty Mama" and although none of his sidemen in the banjo-tuba group are standouts, their ensemble sound fits in well with the cornetist. This fun set has been reissued on CD by Jazzology.
--- Scott Yanow, All Music Guide



Wild Bill Davison

Active Decades: '20s, '30s, '40s, '50s, '60s, '70s and '80s
Born: Jan 05, 1906 in Defiance, OH
Died: Nov 14, 1989 in Santa Barbara, CA
Genre: Jazz
Styles: Dixieland, Dixieland Revival

One of the great Dixieland trumpeters, Wild Bill Davison had a colorful and emotional style that ranged from sarcasm to sentimentality with plenty of growls and shakes. His unexpected placement of high notes was a highlight of his solos and his strong personality put him far ahead of the competition. In the 1920s, he played with the Ohio Lucky Seven, the Chubb-Steinberg Orchestra (with whom he made his recording debut), the Seattle Harmony Kings, and Benny Meroff. After he was involved in a fatal car accident that ended the life of Frankie Teschemacher in 1932 (his auto was blindsided by a taxi), Davison spent the remainder of the 1930s in exile in Milwaukee. By 1941, he was in New York and in 1943 made some brilliant recordings for Commodore (including a classic version of "That's a Plenty") that solidified his reputation. After a period in the Army, Davison became a fixture with Eddie Condon's bands starting in 1945, playing nightly at Condon's. In the 1950s, he was quite effective on a pair of albums with string orchestras, but most of his career was spent fronting Dixieland bands either as a leader or with Condon. Wild Bill toured Europe often from the 1960s, recorded constantly, had a colorful life filled with remarkable episodes, and was active up until his death. A very detailed 1996 biography (-The Wildest One by Hal Willard) has many hilarious anecdotes and shows just how unique a life Wild Bill Davison had.
---Scott Yanow, All Music Guide
Weboldal:Jazzology Records

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