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| 3.900 Ft
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| 1. | Those Longing for You Blues
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| 2. | Virginia Blues
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| 3. | My Honey's Lovin' Arms
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| 4. | Aunt Hagar's Children Blues
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| 5. | Farewell Blues
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| 6. | Frankie and Johnnie
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| 7. | Henpecked Blues
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| 8. | Somebody's Wrong
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| 9. | Wop Blues
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| 10. | Forgetful Blues
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| 11. | Cotton Picker's Ball
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| 12. | Mamma Loves Papa
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| 13. | Unfortunate Blues
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| 14. | Hula Lou
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| 15. | Never Again
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| 16. | Weepin' the Blues
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| 17. | Get Lucky
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| 18. | Riverboat Shuffle
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| 19. | Sweet Georgia Brown
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| 20. | Sweet Man
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| 21. | The Original Charleston Strut
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| 22. | It's the Blues
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| 23. | Three-Thirty Blues
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Jazz
Isham Jones - Director, Leader, Sax (Tenor)
A.J. Eldridge - Piano
Bud Graham - Trombone
Charles McNeil - Banjo
Guy Carey - Trombone
Joe Frank - Drums
Joe Miller - Banjo
Roy Bargy - Piano
* Chris Barber - Executive Producer
* Ria Wigt - Executive Producer, Production Coordination
Isham Jones led a major jazz-influenced dance band during the 1920s. Seventeen of his better performances that featured cornetist Louis Panico during 1922-1924 highlight this CD, including "Those Longing for You Blues," "Aunt Hagar's Children Blues," "Somebody's Wrong," and "Never Again." One can appreciate why Panico was held in such high regard during this early period. The CD also has six numbers from 1925-1926 (including "Riverboat Shuffle" and "Charleston") before Jones' music became much more commercial. A worthy acquisition.
---Scott Yanow, All Music Guide
Isham Jones
Active Decades: '20s, '30s and '40s
Born: Jan 31, 1894 in Coalton, IA
Died: Oct 19, 1956 in Hollywood, FL
Genre: Jazz
Styles: Dance Bands, Classic Jazz, Standards
Isham Jones led and broke up several bands during the 1920s and '30s, but his greatest legacy is as a songwriter, having composed "It Had to Be You," "On the Alamo," "I'll See You in My Dreams," "The One I Love Belongs to Somebody Else," and "There Is No Greater Love," among others. Although he was originally a saxophonist and pianist, Isham Jones did not take any real solos with his bands. In the early '20s, his outfit featured trumpeter Louis Panico, a pretty good soloist for 1921. Jones recorded prolifically during 1920-1927, with most selections being jazz-oriented dance band performances. While his 1929-1932 recordings are more commercial, the musicianship is high and the melodic renditions are not without interest. Jones' 1932-1936 big band became the nucleus of the first Woody Herman Orchestra when Isham Jones decided to temporarily retire. He had another band in 1937 and recorded as late as 1947, but it is for his songs that he will always be remembered.
---Scott Yanow, All Music Guide |
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