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Kérjen
árajánlatot! |
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| 1. | I Want a Bigger Butter and Egg Man
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| 2. | New Orleans
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| 3. | That's a Plenty
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| 4. | Basin Street Blues
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| 5. | Muskrat Ramble
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| 6. | I Guess I'll Have to Change My Plan
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| 7. | Royal Garden Blues
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| 8. | Struttin' With Some Barbecue
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| 9. | Fidgety Feet
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| 10. | (Back Home Again In) Indiana
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| 11. | Oh Baby
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| 12. | 'S Wonderful
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| 13. | I've Found a New Baby
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| 14. | Sunday
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| 15. | Baby, Won't You Please Come Home
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| 16. | Everybody Loves My Baby
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| 17. | Mama's Gone, Goodbye
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| 18. | Way Down Yonder in New Orleans
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| 19. | 55th and Broadway
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| 20. | 'S Wonderful
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Jazz
Bobby Hackett - Cornet, Trumpet
Billy Bauer - Guitar
Buzzy Drootin - Drums
Ernie Caceres - Clarinet, Saxophone
Gene Schroeder - Piano
Jack Lesberg - Bass
Jack Teagarden - Trombone
Peanuts Hucko - Clarinet, Saxophone
Coast Concert/Jazz Ultimate collects two of Bobby Hackett's mid-'50s albums on one CD. Coast Concert from 1955 features Hackett live with old friend Jack Teagarden on a selection of lively Dixieland standards such as "Basin Street Blues," "Fidgety Feet," and "Royal Garden Blues." Jazz Ultimate from 1957 reteams Hackett and Teagarden for a similarly themed studio set, from which "Way Down Yonder in New Orleans," "Oh Baby," and "'S Wonderful" are some of the highlights. An appealing two-fer that highlights one of Hackett's most successful collaborations.
---Heather Phares, All Music Guide
Bobby Hackett
Active Decades: '30s, '40s, '50s, '60s and '70s
Born: Jan 31, 1915 in Providence, RI
Died: Jun 07, 1976 in Chatham, MA
Genre: Jazz
Styles: Dixieland, Swing, Traditional Pop
Bobby Hackett's mellow tone and melodic style offered a contrast to the brasher Dixieland-oriented trumpeters. Emphasizing his middle-register and lyricism, Hackett was a flexible soloist who actually sounded little like his main inspiration, Louis Armstrong.
When Hackett first came up he was briefly known as "the new Bix" because of the similarity in his approach to that of Bix Beiderbecke, but very soon he developed his own distinctive sound. Originally a guitarist (which he doubled on until the mid-'40s), Hackett performed in local bands, and by 1936 was leading his own group. He moved to New York in 1937, played with Joe Marsala, appeared at Benny Goodman's 1938 Carnegie Hall concert (recreating Beiderbecke's solo on "I'm Coming Virginia"), recorded with Eddie Condon, and by 1939 had a short-lived big band. Hackett played briefly with Horace Heidt, and during 1941-1942 was with Glenn Miller's Orchestra, taking a famous solo on "String of Pearls." Next up was a stint with the Casa Loma Orchestra, and then he became a studio musician while still appearing with jazz groups. Hackett was a major asset at Louis Armstrong's 1947 Town Hall Concert, in the 1950s he was a star on Jackie Gleason's commercial but jazz-flavored mood music albums, and he recorded several times with Eddie Condon and Jack Teagarden. During 1956-1957, Hackett led an unusual group that sought to modernize Dixieland (using Dick Cary's arrangements and an unusual instrumentation), but that band did not catch on. Hackett recorded some commercial dates during 1959-1960 (including one set of Hawaiian songs and another in which he was backed by pipe organ), he worked with Benny Goodman (1962-1963); backed Tony Bennett in the mid-'60s; co-led a well-recorded quintet with Vic Dickenson (1968-1970); and made sessions with Jim Cullum, the World's Greatest Jazz Band, and even Dizzy Gillespie and Mary Lou Williams, remaining active up until his death. Among the many labels Bobby Hackett recorded for as a leader were Okeh (reissued by Epic), Commodore, Columbia, Epic, Capitol, Sesac, Verve, Project 3, Chiaroscuro, Flying Dutchman, and Honey Dew.
---Scott Yanow, All Music Guide |
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