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From the Age of Swing |
Dick Hyman |
első megjelenés éve: 1994 |
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(1994)
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 CD |
3.900 Ft
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1. | From the Age of Swing
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2. | You're Driving Me Crazy/ Moten Swing
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3. | Topsy
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4. | Moonglow
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5. | Them There Eyes
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6. | Dooji Wooji
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7. | Soft Winds
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8. | What Is There to Say?
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9. | 'Deed I Do
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10. | Rose Room
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11. | I Know What You Do
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12. | Mean to Me
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13. | I'm Getting Sentimental over You
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14. | From the Age of Swing [Alternate Take]
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Jazz
Dick Hyman - Piano Bucky Pizzarelli - Guitar, Guitar (Rhythm) Butch Miles - Drums Frank Wess - Sax (Alto), Sax (Tenor), Saxophone Joe Temperley - Sax (Baritone), Saxophone Joe Wilder - Flugelhorn, Trumpet Milt Hinton - Bass, Bass (Acoustic) Phil Bodner - Clarinet, Sax (Alto), Saxophone Urbie Green - Trombone
* Dick Sudhalter - Liner Notes * Keith O. Johnson - Engineer * Paul Stubblebine - Digital Mastering
As the title implies, this is very much a swing set. Pianist Dick Hyman (a master of all pre-bop styles) has little difficulty emulating Teddy Wilson, Art Tatum and Count Basie (among others) plus his own style in an octet also featuring trumpeter Joe Wilder, trombonist Urbie Green, altoist-clarinetist Phil Bodner, baritonist Joe Temperley, rhythm guitarist Bucky Pizzarelli, bassist Milt Hinton, drummer Butch Miles and (on three tunes) altoist Frank Wess. The opening and closing numbers are ad-lib blues both titled "From the Age of Swing"; sandwiched in between are ten swing-era standards plus a couple of obscure Duke Ellington items. Among the highlights are "Topsy," "Them There Eyes," "Rose Room" and "Mean to Me." No real surprises occur, but mainstream fans should like this swinging set. ---Scott Yanow, All Music Guide
Dick Hyman
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s Born: Mar 08, 1927 in New York, NY Genre: Jazz Styles: Swing, Stride, Classic Jazz, Standards, Lounge, Spy Music
A very versatile virtuoso, Dick Hyman once recorded an album on which he played "A Child Is Born" in the styles of 11 different pianists, from Scott Joplin to Cecil Taylor. Hyman can clearly play anything he wants to, and since the '70s, he has mostly concentrated on pre-bop swing and stride styles. Hyman worked with Red Norvo (1949-1950) and Benny Goodman (1950), and then spent much of the 1950s and '60s as a studio musician. He appears on the one known sound film of Charlie Parker (Hot House from 1952); recorded honky tonk under pseudonyms; played organ and early synthesizers in addition to piano; was Arthur Godfrey's music director (1959-1962); collaborated with Leonard Feather on some History of Jazz concerts (doubling on clarinet), and even performed rock and free jazz; but all of this was a prelude to his later work. In the 1970s, Hyman played with the New York Jazz Repertory Company, formed the Perfect Jazz Repertory Quintet (1976), and started writing soundtracks for Woody Allen films. He has recorded frequently during the past several decades (sometimes in duets with Ruby Braff) for Concord, Music Masters, and Reference, among other labels, and ranks at the top of the classic jazz field. ---Scott Yanow, All Music Guide |
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