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6.028 Ft
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1. | Jubilee
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2. | Sarong Number
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3. | Chicken &
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4. | Washboard Blues
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5. | I've Found a New Baby
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6. | The Mooche
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7. | Serenade
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8. | Three Little Words
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9. | The Silver Fox
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10. | Love Song
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11. | Gone with the Wind
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12. | Eddie's Twister
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13. | Street of Dreams
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14. | I'm Beginning to See the Light
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15. | If Dreams Come True
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16. | Mood Hollywood
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17. | Danzon
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18. | Midnight Oil
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19. | Stage Fright
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20. | Minuet in Miniature
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Jazz
Marty Grosz - Arranger, Photo Courtesy, Producer Bill Airey Smith Formatting, Design David Boeddinghaus Arranger, Piano, Guest Appearance Doug Pomeroy Arranger, Engineer, Producer, Photography John Norris CD Preparation Ken Peplowski Clarinet, Guest Appearance Mike Peters Engineer, Producer, Arranger
Jovial, energetic, and uncommonly well-versed in traditional jazz, guitarist Marty Grosz is internationally recognized as a skilled improviser, resilient session man, and (on the live dates) witty MC. On Acoustic Heat, a compilation drawing upon his output during the years 1998-2005, he is heard in duets with East Coast guitarist Mike Peters, whose r�sum� includes recording dates with soprano saxophonist Bob Wilber, Californian flamenco-inspired guitarist Jim Stubblefield, and clarinetist Ken Peplowski, who is the guest soloist on Acoustic Heat. It is a surprisingly stimulating stash, stocked with six titles credited to jazz guitar pioneer Carl Kress and a series of compositions by equally important early jazz and swing guitarists Eddie Lang, Dick McDonough, Carmen Mastren, and Tony Mottola. The Sackville catalog is fairly bursting with excellent albums that resulted from the combined energies of inspired musicians, and Acoustic Heat is a glowing example of that dynamic. This is great music for freeway driving, weekend gardening, or immoderate consumption of food and drink among trusted friends. ~ arwulf arwulf, All Music Guide
Marty Grosz
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s Born: Feb 28, 1930 in Berlin, Germany Genre: Jazz Styles: Dixieland Revival
One of jazz music's great comedians (his spontaneous monologs are often hilarious), Marty Grosz is a brilliant acoustic guitarist whose chordal solos bring back the sound of Carl Kress and Dick McDonough of the 1930s, while his vocals are very much in the Fats Waller tradition. It took Grosz a long time to get some visibility. He grew up in New York, attended Columbia University, and in 1951 led a Dixieland band with Dick Wellstood that was unrecorded. Based in Chicago, Grosz did record with Dave Remington, Art Hodes, and Albert Nicholas in the 1950s; led sessions of his own in 1957 and 1959 for Riverside and Audio Fidelity; and tried his best to coax Jabbo Smith out of retirement (some of their rehearsals were later released on LP), but was pretty obscure until he joined Soprano Summit (1975-1979). After that association ended, Grosz became a busy freelancer on the classic jazz scene, playing with Dick Sudhalter, Joe Muryani, and Dick Wellstood in the Classic Jazz Quartet, and later heading the Orphan Newsboys, a superb quartet that also includes Peter Ecklund, Bobby Gordon, and bassist Greg Cohen. Marty Grosz, a unique personality, has recorded several delightful sets for Jazzology and Stomp Off. ---Scott Yanow, All Music Guide |
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