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| 4.001 Ft
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| 1. | Clothesline Ballet
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| 2. | Keepin' out of Mischief Now
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| 3. | Black and Blue
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| 4. | Bond Street
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| 5. | Candlelights
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| 6. | In a Mist
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| 7. | In the Dark
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| 8. | Prelude to a Kiss
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| 9. | Green Night & Orange Bright
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| 10. | Do Nothing Till You Hear from Me/Ko-Ko
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| 11. | Jack the Bear
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| 12. | Tamalpias
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| 13. | Swingin' Till the Girls Come Home
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| 14. | Mood Indigo
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| 15. | Chuckles
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| 16. | Time on My Hands
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| 17. | Not So Sleepy
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Jazz
Oscar Pettiford - Bass
Tom Talbert - Arranger, Conductor, Liner Notes
Aaron Sachs - Clarinet, Sax (Tenor)
Al Cohn - Baritone
Barry Galbraith - Guitar
Clark Terry - Trumpet
Claude Williamson - Piano
Danny Bank - Baritone, Bass, Clarinet
Dave Schildkraut - Sax (Alto)
Dom Cerulli - Author
Donald Byrd - Trumpet
Earl Knight - Piano
Eddie Bert - Trombone
Eddie Costa - Piano
Frank Rehak - Trombone
Freddie Green - Guitar
Gene Quill - Sax (Alto)
George Wallington - Piano
Harold Goltzer - Bassoon
James Buffington - Flugelhorn
Jimmy Cleveland - Trombone
Jimmy Hamilton - Clarinet, Sax (Tenor)
Joe Soldo - Flugelhorn, Sax (Alto)
Joe Wilder - Trumpet
John Coltrane - Sax (Tenor)
Nick Travis - Trumpet
Osie Johnson - Drums
Philly Joe Jones - Drums
Shirley Hoskins Collins - Liner Notes
Oscar Pettiford
Active Decades: '40s and '50s
Born: Sep 30, 1922 in Okmulgee, OK
Died: Sep 08, 1960 in Copenhagen, Denmark
Genre: Jazz
Styles: Bop
Oscar Pettiford was (along with Charles Mingus) the top bassist of the 1945-1960 period, and the successor to the late Jimmy Blanton. In addition, he was the first major jazz soloist on the cello. A bop pioneer, it would have been very interesting to hear what Pettiford would have done during the avant-garde '60s if he had not died unexpectedly in 1960. After starting on piano, Pettiford switched to bass when he was 14 and played in a family band. He played with Charlie Barnet's band in 1942 as one of two bassists (the other was Chubby Jackson) and then hit the big time in 1943, participating on Coleman Hawkins' famous "The Man I Love" session; he also recorded with Earl Hines and Ben Webster during this period. Pettiford co-led an early bop group with Dizzy Gillespie in 1944, and in 1945 went with Coleman Hawkins to the West Coast, appearing on one song in the film The Crimson Canary with Hawkins and Howard McGhee. Pettiford was part of Duke Ellington's orchestra during much of 1945-1948 (fulfilling his role as the next step beyond Jimmy Blanton), and worked with Woody Herman in 1949. Throughout the 1950s, he mostly worked as a leader (on bass and occasional cello), although he appeared on many records both as a sideman and a leader, including with Thelonious Monk in 1955-1956. After going to Europe in 1958, he settled in Copenhagen where he worked with local musicians, plus Stan Getz, Bud Powell, and Kenny Clarke. Among Pettiford's better-known compositions are "Tricotism," "Laverne Walk," "Bohemia After Dark," and "Swingin' Till the Girls Come Home."
---Scott Yanow, All Music Guide
Thomas Talbert
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Aug 04, 1924 in Crystal Bay, MN
Genre: Jazz
Styles: Bop, Swing, Post-Bop, Standards
Thomas Talbert has been one of the finest arrangers of the past half-century but remains quite underrated due to the relatively few recordings he has made as a leader. He was inspired to become an arranger while hearing the big bands of the swing era on the radio. He developed his piano-playing skills, and played in high-school organized bands to try out his arrangements. After a period in the military (1943-1945), Talbert moved to California and on-and-off during 1946-1949 he led an advanced orchestra that struggled unsuccessfully to survive; fortunately many of their rare recordings from this era (and quite a few previously unreleased) have come out on a SeaBreeze CD. Talbert spent part of 1947 touring with Anita O'Day, and in 1950 he moved to New York. As a freelance writer, he arranged for Claude Thornhill, Tony Pastor, Johnny Smith, Oscar Pettiford, and Don Elliott among others. In the mid-'50s, Talbert recorded an album featuring singer Patty McGovern (Wednesday's Child) and a classic of his own (Bix Fats Duke); both have been reissued on CD. From the mid-'60s until the early '70s, Talbert lived in the Midwest, working with a 12-piece band. In 1975 he relocated to Los Angeles where he has written for the L.A. studios and led a part-time orchestra plus a septet, recording several sets for SeaBreeze.
---Scott Yanow, All Music Guide |
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